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- Browsing South African Journal of Art History Volume 25 (2010) by Issue Date
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Browsing South African Journal of Art History Volume 25 (2010) by Issue Date
Now showing items 1-20 of 35
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(Art Historical Work Group of South Africa, 2010)This article focuses on Maurice Merleau-Ponty's phenomenology of the body and his explications of the body as mediator of the world. Merleau-Ponty's notion of the body which projects the cultural world around it by means ...
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(Art Historical Work Group of South Africa, 2010)This article argues that the educational power of botanical gardens goes beyond the scientific collection of data but also makes use of the artistic influence of the garden through the perception and experience of the user. ...
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(Art Historical Work Group of South Africa, 2010)The issue of authenticity in visual art is critically addressed at the outset of this paper. This general discussion leads to a study of the works presented by Lady Michaelis to the South African National Gallery in the ...
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(Art Historical Work Group of South Africa, 2010)Editorial to SAJAH 2010 with the theme “The visual arts and the sciences".
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(Art Historical Work Group of South Africa, 2010)Editorial to SAJAH 2010 issue with the theme: "The processes of mediation".
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(Art Historical Work Group of South Africa, 2010)The concepts "coincidentia oppositorum" and "hankan gõitso" were respectively formulated in the West and the Far East (Japan). The essence of both is that harmony is created when opposites coincide in a structural unity. ...
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(Art Historical Work Group of South Africa, 2010)This article is a continuation of my exploration of photography with reference to the dialectics of historicity and expectation, archive and performance, absence and presence, theatricality and antitheatricality, visibility ...
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(Art Historical Work Group of South Africa, 2010)The medieval church used stained glass windows to mediate between Latin scripture and the illiterate laity. Following the Reformation, Calvinist tradition avoided visual symbolism. In the Afrikaans Dutch Reformed Church, ...
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(Art Historical Work Group of South Africa, 2010)This collaborative study has brought together our various backgrounds in art history, ceramics practice, chemistry, and clay mineralogy, so as to contextualise properties and ideas about the clay bodies used by octogenarian ...
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Circular structures and buildings associated with vernacular farm architecture and folk engineering (Art Historical Work Group of South Africa, 2010)The rondavel has become a typical feature on farmsteads but it is not the only building with a circular floor plan. Several other structures also have a circular floor plan. In Western architecture we have become accustomed ...
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(Art Historical Work Group of South Africa, 2010)Gabriël (Gawie) Fagan (1925) is a leading South African architect. His architecture is regionally rooted and can be described as a "new" architectural language that mediates between a love of the Cape vernacular, functional ...
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(Art Historical Work Group of South Africa, 2010)This article is based on a conference paper presented at the 2010 SAJAH Conference at the Faculty of Architecture and Planning at the University of the Witwatersrand in Johannesburg, South Africa. It poses some questions ...
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(Art Historical Work Group of South Africa, 2010)This paper is an ecopolitical interpretation of James Cameron’s recent film, "Avatar". By ‘ecopolitical’ is meant that the film is not merely ecologically significant – in so far as it stresses the vital interconnectedness ...
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(Art Historical Work Group of South Africa, 2010)The cultural richness that once made Leonardo’s "Paragone" possible quickly waned in the wake of the 18th century separation of natural science and fine art into competing systems of knowledge, leaving architects to contend ...
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(Art Historical Work Group of South Africa, 2010)This paper is mindful of the increasingly complex mediations of public and private, and explores theoretical constructs gleaned from architectural thought and political theory, to derive ideas that are pertinent to our ...
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(Art Historical Work Group of South Africa, 2010)Freedom Park was established as part of a postcolonial reconstruction of monuments to honour those who sacrificed their lives for freedom, as well as to enhance reconciliation and nation building in South Africa. The aim ...
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(Art Historical Work Group of South Africa, 2010)From the earliest days of South African colonisation - through the offices of the VOC - there was the hegemony of Calvinist belief as it manifests in Dutch Reformed Protestantism in which death was preordained, inevitable ...
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(Art Historical Work Group of South Africa, 2010)This article examines pornography and erotica as categories of representation, in which cultural and societal constructions and constrictions define the female body as passive and ‘other’ in relation to the male body. ...
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(Art Historical Work Group of South Africa, 2010)This paper focuses on the question of mediation via images. Its point of departure is the work of Kant on the mediation of human reality by the faculty of reason, including imagination and the forms of space and time, ...
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(Art Historical Work Group of South Africa, 2010)The word ‘waenhuis’ has become synonymous for what is also referred to as a ‘wagon shed.’ Eventually, the term will disappear as the building’s association with wagons becomes less obvious. At the same time ‘waenhuise’ ...
Now showing items 1-20 of 35