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- Browsing South African Journal of Art History Volume 29 (2014) by Issue Date
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Browsing South African Journal of Art History Volume 29 (2014) by Issue Date
Now showing items 1-20 of 30
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(Art Historical Work Group of South Africa, 2014)There have always been links between food and architecture, but the connections between Slow Food and Slow Architecture that are explored here could highlight a number of lessons learned and shared between these two ...
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(Art Historical Work Group of South Africa, 2014)This paper considers the legacy of historicism and debates within modern/post-modern historiography – especially in the work of Keith Jenkins, Michael Podro and Hayden White – and discusses how these crucial perspectives ...
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(Art Historical Work Group of South Africa, 2014)The Women’s Monument that was erected in Bloemfontein during 1913 fulfilled a strong urge by prominent Afrikaner leaders, such as President Steyn, to commemorate the sacrifices made by women and children during the Anglo ...
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(Art Historical Work Group of South Africa, 2014)Industrial buildings and structures are not usually associated with the discipline of architecture but rather with civil engineering. However, industrial structures form an important part of the manmade landscape of the ...
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(Art Historical Work Group of South Africa, 2014)Considerations as to personal and group identity seem to be everywhere these days, in the national news, in the latest pop/rap video and with respect to the very clothes that we choose to wear. Significantly, in ...
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(Art Historical Work Group of South Africa, 2014)A visual rhetorical interpretation of the design and symbolism of the pedimented main facade of the Parthenon on the Athenian Acropolis is based on a schematic geometric diagram of Plato’s “Creation Myth”, as described ...
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(Art Historical Work Group of South Africa, 2014)Dismotief (dis-motif) is an interdisciplinary production that explores masculinity, identity and language. The collaborative exhibition, held in the Potchefstroom City Hall in 2012, encompassed poetry, visual art and ...
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(Art Historical Work Group of South Africa, 2014)This article explores the possibility that the participatory paradigm might be an appropriate research paradigm for creative practitioners to produce practice-led research. In the context of multi-practitioner arts-related ...
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(Art Historical Work Group of South Africa, 2014)This article expounds Edmond Bacon’s “principle of the second man”, formulated in his Design of Cities (1967), as a criterion for judging the addition of another building or additional architectural structures a on a ...
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(Art Historical Work Group of South Africa, 2014)This article considers a current project undertaken by Architecture Van Brandenburg in Shenzhen, China. Locating, touching, mimicking, integrating, crafting, unfurling and exhibiting are subheadings used to discuss salient ...
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(Art Historical Work Group of South Africa, 2014)This article focuses on the work of two contemporary artists and the ways in which their work can be shown to relate to Zen Buddhist philosophies and aesthetics. It aims to examine the interpretation of Western art by ...
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(Art Historical Work Group of South Africa, 2014)Lewis Mumford makes the case that the first (western) utopia was a City, and that the first (western) City was a utopia, and David Harvey similarly iterates that “[t]he figures of ‘the city’ and of ‘Utopia’ have long ...
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(Art Historical Work Group of South Africa, 2014)Colonisation as an ongoing process continues to obfuscate the real identity of a culture “becoming” in Aotearoa/New Zealand. In writing about aspects of my arts practice I touch upon certain Hericlitean, Platonic, and ...
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(Art Historical Work Group of South Africa, 2014)To defend the sovereignty of the Conquered Territory along the eastern frontier of the Boer Republic of the Orange Free State (OFS) and Basutoland (Lesotho), the government of the former passed the Occupation Act, 1866, ...
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(Art Historical Work Group of South Africa, 2014)Photography’s truth telling technology enticed early photographers to capture images of war such as the Anglo-Boer War 1899-1902. Many of these images include family photographic collections that were taken in and around ...
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(Art Historical Work Group of South Africa, 2014)This article contributes to the renewed interest in Le Corbusier by exploring a proposition by the African American architect and scholar, Melvin Mitchell, that West African art and architecture had a decisive influence ...
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(Art Historical Work Group of South Africa, 2014)This article uses a rhizomatic approach to explore how the artist acquired experiential knowledge and insight through the experience and practice of making the expressive artefact “Hollow” (2011). Sullivan argues, “the ...
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(Art Historical Work Group of South Africa, 2014)Architects are adamant that academic qualifications are a prerequisite for design competence. It is therefore ironic that vernacular architecture is having a significant impact on contemporary architectural design ...
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(Art Historical Work Group of South Africa, 2014)Misleading slimming advertisements are a prominent visual feature in South African magazines that target young women. These commercial messages are particularly pervasive in magazines that focus on health, fitness, and ...
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(Art Historical Work Group of South Africa, 2014)This paper explores the variegated spatial meanings of “the city” by way of Michel de Certeau’s reflections on “walking in the city” as part of “the practice of everyday life”, which he conceives of as allowing people ...
Now showing items 1-20 of 30