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“Slow” architecture and its links with Slow Food
Louw, Mike
(
Art Historical Work Group of South Africa
,
2014
)
“Men are as great as the Monuments they leave behind”: Wilhelm O Meyer and the (Rand Afrikaans) University of Johannesburg, Kingsway Campus
Peters, Walter
(
Art Historical Work Group of South Africa
,
2011
)
“Hollow” : reflections on practice, the artefact and the body
Du Preez, Linda
(
Art Historical Work Group of South Africa
,
2014
)
“Cape of Execution”: the gallows at the Cape of Good Hope as represented in the colonial art of Johannes Rach and Lady Anne Barnard
Viljoen, Russel Stafford
(
Art Historical Work Group of South Africa
,
2011
)
‘Sustainable’ architecture and the ‘law’ of the fourfold
Olivier, Bert
(
Art Historical Work Group of South Africa
,
2011
)
Zen and the art of artmaking : Goldsworthy and Kapoor
Bhana, Poorvi
;
Stevens, Ingrid
(
Art Historical Work Group of South Africa
,
2014
)
Worshipping with the fourfold at the temple complex at Delphi, Greece, the Inner Shrine at Ise, Japan, and St. Peter's Basilica at Rome
Mare, Estelle Alma
(
Art Historical Work Group of South Africa
,
2012
)
Willem Boshoff and materiality according to Adorno
Swanepoel, M.C. (Rita)
(
Art Historical Work Group of South Africa
,
2013
)
When the ‘Law’ no longer suffices: "Dexter"
Olivier, Bert
(
Art Historical Work Group of South Africa
,
2012
)
What is out of sight and un-foreseeable : Pieter Hugo's filtered images
Schoeman, G.T.
(
Art Historical Work Group of South Africa
,
2010
)
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