Browsing Journals (South African Journal of Art History (SAJAH)) by Title

Browsing Journals (South African Journal of Art History (SAJAH)) by Title

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  • Marais, M.M.S.; Van den Berg, Dirk Johannes (Art Historical Work Group of South Africa, 1987-06)
    In hierdie artikel word aandag gegee aan die karakter van die kunstenaar J.H. Pierneef se grafiese werke. As etser is Pierneef betreklik onbekend. Daar word verwys na verskeie voorbeelde van die kunstenaar se werk in die ...
  • Steyn, Carol; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2008)
    Finland regarded the composer Jean Sibelius as a national hero from his youth until the end of his long life, although he composed nothing during his last thirty years. Outside Finland his reputation as a composer has been ...
  • Gaule, Sally (Art Historical Work Group of South Africa, 2009)
    Johannesburg’s built environment was shaped initially by the gold mining industry whose influence was indelibly writ upon its architectural symbolism. This has however, been intermingled and covered over by the residue of ...
  • Geldenhuys, Daniel G. (Art Historical Work Group of South Africa, 2006)
    The article deals with Black Box/Chambre Noir by William Kentridge, an art creation consisting of a miniature mechanized theatre, which had as commissioned work been exhibited at the Deutsche Guggenheim in Berlin. The ...
  • Du Preez, Amanda (Art Historical Workgroup of South Africa, 1999)
    Keuringsverslag ten opsigte van Bert Olivier se artikel "'Natural Born Killers', violence and contemporary culture" wat op p. 48 van dieselfde joernaal verskyn.
  • Steyn, Carol (Art Historical Work Group of South Africa, 2009)
    Aram Il’ich Khachaturyan was born in Tblisi, Georgia, and spent most of his life in Moscow, but when one visits Yerevan, the capital of Armenia, today, Khachaturyan is all around you. His music, itself steeped in Armenian ...
  • Olivier, Bert (Art Historical Work Group of South Africa, 2002)
    This article is an art-philosophical interpretation of Kieslowski's film trilogy, "Blue", "White" and "Red", in terms of Gadamer's distinction among the three hermeneutic activities of understanding, interpretation and ...
  • Olivier, Bert (Art Historical Work Group of South Africa, 2003)
    This paper addresses the question of kitsch by interpreting it as "bad" art of a particular kind. It draws mainly, but not exclusively, on Karsten Harries's phenomenological exploration of kitsch to provide a framework ...
  • Van der Waal, Gerhard-Mark; Schmidt, Leoni (Art Historical Work Group of South Africa, 1989)
    In 'n tyd wat 'n mens aanhoudend dwing om standpunt in te neem, is daar behoefte aan gesprekke oor tendense. Sulke besinnings is hulpmiddels om tot 'n posisiebepaling te kom binne die netwerk van verhoudings waarin 'n mens ...
  • Swanepoel, M.C. (Rita); Mare, Estelle Alma (Art Historical Work Group of South Africa, 2013)
    Nelson Rolihlahla Mandela (gebore 1918) word wêreldwyd gerespekteer as politieke vryheidsikoon en ‘n geliefde leier bekend as Madiba. Mandela was 27 jaar in die tronk op Robbeneiland, in Pollsmoor en Victor Verster nadat ...
  • Van Rensburg, Frans I.J. (Francois Izak Janse) (Art Historical Work Group of South Africa, 1993-11)
    No abstract available
  • Theron, Antoinette L. (Art Historical Work Group of South Africa, 1992-11)
    Henri Focillon beskryf die dinamiek van kunswerke in terme van onderskeie vormdimensies. Sy benadering word as 'n orientasie beskou waarvolgens Nel Erasmus se werk "Jazz Baby/Spent Autumn" geinterpreteer kan word.
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2002)
    Lamu is a living town off the Kenya coast. It was recently nominated to the World Heritage List. The town has been relatively undisturbed by colonization and modernization. This study reports on the early Swahili dwelling, ...
  • Goodrich, Andre; Strydom, Richardt; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    Ingold has used Marx’s distinction between exchange value and use value to distinguish between land and landscape. Land, Ingold suggests, is abstracted, quantitative and interchangeable. Landscape, by contrast, is ...
  • Van den Berg, Dirk Johannes (Art Historical Work Group of South Africa, 1991-11-08)
    No abstract available.
  • Coetzer, Nicholas (Art Historical Work Group of South Africa, 2009)
    Langa, Cape Town’s oldest black African township, was initially designed as a Garden Suburb aimed at re-housing residents of Ndabeni, Cape Town’s first ‘location’. Its failure – its lack of a bucolic English village aesthetic ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2012)
    Le Corbusier (1887-1965), the famous Swiss-French artist, architect and town planner – celebrated as he is – is also widely criticised for allegedly dehumanising cities, ignoring the dignity of the individual and for ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2010)
    Whereas the merit of Le Corbusier’s Unites d’Habitation is still contentious, his contemporaneous unbuilt housing schemes on the French Coast are praised for their sensitivity towards history, climate and their sites, as ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2011)
    The ability to convincingly demonstrate the integration of and reciprocal dynamic between research and product in design assignments is now a prerequisite at most institutions of architectural learning. Due to the creative ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2012)
    Since Le Corbusier so forcefully propagated a new urban and architectural dispensation, there is a misconception that he disregarded history and that he conceptualised projects rationally and without preconceived ideas. ...