Browsing Research Articles (Drama) by Type "Article"

Browsing Research Articles (Drama) by Type "Article"

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  • Taub, Myer (Art Historical Work Group of South Africa, 2012)
    This paper considers several examples of creative work specifically situated in the city of Venice as an amplification of otherness made apparent through the city’s metonymy of the physical body. This is an attempt to ...
  • Broodryk, Chris Willem (Department of Visual Arts, University of Pretoria, 2013)
    In this article I critically discuss how Willie Esterhuizen's films explicitly present an affirmative heteronormative hegemonic masculinity despite numerous queer, destabilising possibilities that threaten such dominant ...
  • Kruger, Christa; Blitz-Lindeque, J.J.; Pickworth, Glynis Ellen; Munro, A.J.(Alick J.); Lotriet, Marena (Medpharm Publications, 2005-07)
    BACKGROUND: This study describes the lessons learnt from using a novel method for teaching communication skills to second-year medical/dental students. METHODS: Medical and drama teachers designed this action research ...
  • Coetzee, Marie-Heleen; Munro, Marth (Centre for Theatre and Performance Studies, University of Stellenbosch, 2010)
    While the general contours of virtuosity are the same across media, every sacred monster is unique; every technique organizes its own monstrosity, and every community engages its virtuoso monsters on its own terms (Hamera ...
  • Sibanda, Nkululeko; Nkala, Novuyo (SocArts Research Group and the Department of Sociology, Philosophy and Anthropology of the University of Exeter, 2020-11)
    This paper analyses Clement Magwaza’s Istambo Sami song text as a discourse through which one can understand the gendered Ndebele/ Kalanga society. Deploying textual reading of Magwaza’s song text, this article argues that ...
  • Munro, Marth; Coetzee, Marie-Heleen (Centre for Theatre and Performance Studies, University of Stellenbosch, 2007)
    The authors explored the ways in which the changes in the South African educational dispensation impact on the work of educators within a Drama department in the Higher Education and Training band (HET) in South Africa. ...
  • Taub, Myer (Art Historical Work Group of South Africa, 2013)
    This paper situates a critical and reflexive reference to my own recent explorations with the body and the Monument in two video performance works: ‘Muscle and Jew and the Voortrekker Monument’ (2012) and ‘Muscle Jew and ...
  • Sibanda, Nkululeko (Institute for Education Policy Studies, 2020)
    In this account, I engage how Midlands State University through its Film and Theatre Arts Studies programme responded and continues to respond to the neoliberalisation of higher and tertiary education in Zimbabwe. I argue ...
  • Broodryk, Chris Willem (Southern African Communication Association, 2016-07)
    This article argues that Steve Hofmeyr’s Afrikaner identity, an identity he performs across various media platforms, including a selection of feature length Afrikaans films, is a paradoxical hybrid of Afrikaner exceptionalism ...
  • Coetzee, Marie-Heleen (Centre for Theatre and Performance Studies,University of Stellenbosch, 2009)
    This paper investigates the ways in which the use of performative inquiry can shift notions of knowledge as situated to knowledge as experiential, embodied and an in situ encounter in the domain of performance studies. ...
  • Van Heerden, Ariana; Munro, Marth (Art Historical Work Group of South Africa, 2012)
    This article reports on a mixed method study of painting and drawing activities of professional artists utilizing semi-structured interviews documenting affective states. The experiential data was supplemented with ...
  • Coetzee, Marie-Heleen (Shakespeare Society of Southern Africa, 2017)
    Sonny Venkatrathnam’s ‘Robben Island Bible’ or ‘Robben Island Shakespeare’ has captured the public imagination. The book is a tangible marker of resistance and, for many, an affirmation of the relevance of Shakespeare ...
  • Joynt, Shaun; Broodryk, Chris Willem (AOSIS Open Journals, 2018-07-18)
    The church-funded CARFO or KARFO (Afrikaans Christian Filmmaking Organisation) was established in 1947, and aimed to ‘[socialise] the newly urbanized Afrikaner into a Christian urban society’ (Tomaselli 1985:25; Paleker ...
  • Botha, Chandre; Broodryk, Chris Willem (Shakespeare Society of Southern Africa, 2017)
    This article examines how gender identity is represented in a filmic adaptation of Shakespeare’s play text Romeo and Juliet within South Africa’s postcolonial context, thereby positioning identity politics as crucial in ...
  • Munro, Marth; Munro, A.J.(Alick J.); Lemmer, K.; Pretorius, M. (Unisa Press, 2015)
    Management in a client-centred industry faces complex interaction within the company structures as well as with several client-related communications. Such interactions span a broad range of skills that extend beyond ...
  • Sibanda, Nkululeko (Babes-Bolyai University of Cluj, 2020)
    The dire socio-political and economic landscape in Zimbabwe has forced many Zimbabweans, young and old, to relocate to various and different diasporic locations. When these diaspora-based Zimbabweans “visit” or literarly ...
  • Li, Guoqing; Slippers, Bernard; Wingfield, Michael J.; Chen, Shuaifei (BioMed Central, 2020-12)
    The Botryosphaeriaceae accommodates many important pathogens of woody plants, including Eucalyptus. Recently, Botryosphaeriaceae were isolated from diseased plant parts from surveys of Eucalyptus plantations in the ...
  • Van Heerden, Ariana; Munro, Marth (Art Historical Work Group of South Africa, 2014)
    In general the production and appreciation of visual art has been considered to be a cultural phenomenon, but lately the possibility of a biological, leading on to a neuroscientific basis, for making art has been considered. ...