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Performance (2)
Acquired immune deficiency syndrome (AIDS) (1)
Acting (1)
Actor-character dissonance (1)
Adolescent girls (1)
Anger-management (1)
Aporia (1)
Character congruency (1)
Community theatre (1)
Competency based education (1)
Coronavirus disease 2019 (COVID-19) (1)
COVID-19 pandemic (1)
Creative synergy (1)
Cyberethnography (1)
Development (1)
Digital performance (1)
Discursive repositioning (1)
Dominant discourse (1)
Drama -- Study and teaching -- South Africa (1)
Drama-based strategies (1)
Dramatised poetry (1)
Dramaturgy (1)
Emotional intelligence (1)
Feminist ethics of care (1)
Funding implications (1)
Gender (1)
Gender-based violence (GBV) (1)
Higher education and training (1)
HIV and AIDS education (1)
Human immunodeficiency virus (HIV) (1)
Identity (Psychology) (1)
Improvisation (1)
Inquiry (Theory of knowledge) (1)
Intimacy coordination (1)
Intimate performance (1)
Live events (1)
Market position (1)
Mediality (1)
National qualifications framework (NQF) (1)
Navigating (1)
Online presence (1)
Outreach (1)
Performance technology (1)
Personal discourse (1)
Physical theatre (1)
Playback theatre (1)
Playfulness (1)
Power (1)
Pre-recorded digital performing arts (PRDPA) (1)
Process drama (1)
Production services (1)
Professional touch (1)
Robben Island Bible (1)
Self-acceptance (1)
Sexual and gender-based violence (SGBV) (1)
Sexual orientation (1)
Shakespeare (1)
Sierra Leone (1)
Social violence (1)
Sonny Venkatrathnam (1)
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