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Showing 42 out of a total of 42 results for collection: Theses and Dissertations (Drama).
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Training the male student actor’s performance voice for optimized expression of intent and emotion
Unknown author
(
University of Pretoria
,
2014
)
Drama-based second language teaching and learning
Unknown author
(
University of Pretoria
,
2020
)
Psychological and visionary modes of creativity : a jungian analysis of westworld towards a potential design pedagogy
Unknown author
(
University of Pretoria
,
2019-08
)
Zef as Performance Art on the Interweb : how Ninja from Die Antwoord performs South African White Masculinities through the Digital Archive
Unknown author
(
University of Pretoria
,
2016
)
Perceiving screendance through a Laban Movement analysis lens
Unknown author
(
University of Pretoria
,
2018
)
Apartheid en verset : die ontwikkeling van 'n politieke protf.steater in Suid-Afrika tot Soweto 1976
Unknown author
(
University of Pretoria
,
1994
)
Directing 'The Absolute' : towards destabilising the victim/perpetrator binary in Sam Shepard's A lie of the mind (1985)
Unknown author
(
University of Pretoria
,
2016
)
Performing synergy : the use of playback theatre in exploring personal and dominant discourses amongst adolescents
Unknown author
(
University of Pretoria
,
2015
)
Distinguishing between Intended and Perceived Emotions in a 'Dance-based' Physical Theatre Performance
Unknown author
(
University of Pretoria
,
2020
)
An appreciative inquiry approach to community theatre on HIV and AIDS education for young people
Unknown author
(
University of Pretoria
,
2010
)
Lost in translation : a postcolonial reading of Janice Honeyman’s Peter Pan
Unknown author
(
University of Pretoria
,
2013-03-07
)
Trust no truth : an analysis of the visual translation styles in the conspiracy film
Unknown author
(
University of Pretoria
,
2012-01-18
)
The empathetic physician : using process drama to facilitate the training of empathy skills in healthcare education
Unknown author
(
University of Pretoria
,
2018
)
Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018)
Unknown author
(
University of Pretoria
,
2023
)
Effective planning and organisation of a student theatre festival
Unknown author
(
University of Pretoria
,
2005-08-11
)
Recycling ghosts : reimagining C. Louis Leipoldt's play "Die Laaste Aand" (1930)
Unknown author
(
University of Pretoria
,
2021
)
The actor's use of the prosodic elements of speech to express clarity and intent in performance
Unknown author
(
University of Pretoria
,
2018
)
Embodied shiftings to bridge actor-character dissonance
Unknown author
(
University of Pretoria
,
2020-11-01
)
Expansionary engagements : Butterworth's didactic-democratic spectrum model in physical theatre choreography
Unknown author
(
University of Pretoria
,
2019
)
Die dramaturg en sy gemeenskap (Afrikaans)
Unknown author
(
University of Pretoria
,
2010-04-14
)
Bosbok Ses films: Exploring postheroic narratives
Unknown author
(
University of Pretoria
,
2017
)
Tracing the directorial process of theatrical translation : a practice-led case study
Unknown author
(
University of Pretoria
,
2015
)
Decolonial storying : embodied memory in facilitating choreographic composition
Unknown author
(
University of Pretoria
,
2022
)
Activating Heterotopia through Knowledge Design : the Case of the Krêkvars-Kopanong Student Arts Festival
Unknown author
(
University of Pretoria
,
2018
)
Audience Perception of Emotion in a Physical Theatre Performance
Unknown author
(
University of Pretoria
,
2020
)
The poetics of a transcultural adaptation in the process of directing the play Razor in the Flesh by Plinio Marcos (1967)
Unknown author
(
University of Pretoria
,
2018
)
Performing gender : using drama - in - education to explore gender identity in the grade 10 life skills curriculum
Unknown author
(
University of Pretoria
,
2014
)
Using the magic if to circumvent the problems for the actor working with green screen technology
Unknown author
(
University of Pretoria
,
2013
)
The efficacy of a pre-recorded digital performing arts skills development module for fourth-year drama students at a South African University : a case study
Unknown author
(
University of Pretoria
,
2019
)
Dramatization of poetry as strategy in an anger management programme for adolescent girls
Unknown author
(
University of Pretoria
,
2013
)
The moving image : contemporary film analysis and analytical psychology
Unknown author
(
University of Pretoria
,
2007-08-21
)
Exploring white Afrikaner identity through filmic fantasy tropes
Unknown author
(
University of Pretoria
,
2023-12-08
)
Framing and symbolic modes in public service announcements
Unknown author
(
University of Pretoria
,
2002
)
Female subjectivity in selected women-centric television drama serials
Unknown author
(
University of Pretoria
,
2023-01-30
)
The development of a community radio station for a national game park
Unknown author
(
University of Pretoria
,
2006-12-15
)
Assessment of a training programme for actors to make the shifts from theatre acting to film acting
Unknown author
(
University of Pretoria
,
2019
)
I confess therefore I am : how can online confessions be used in a social media cyber performance
Unknown author
(
University of Pretoria
,
2017
)
Integrating voice movement therapy and maskwork for performer vocal development : voicing the mask to de-mask the voice
Unknown author
(
University of Pretoria
,
2016
)
Angels in South Africa. Playing with queerness in South African theatre
Unknown author
(
University of Pretoria
,
2018
)
Embodied narratives : mapping a choreographic signature through physical theatre practice
Unknown author
(
University of Pretoria
,
2015
)
The Lamb's Wrath : Cannibalism, Divinity, and Apocalypse in Hannibal
Unknown author
(
University of Pretoria
,
2019
)
Representing issues of South African land ownership in animated film
Unknown author
(
University of Pretoria
,
2024-07-26
)
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