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Perceiving screendance through a Laban Movement analysis lens
Unknown author
(
University of Pretoria
,
2018
)
The actor's use of the prosodic elements of speech to express clarity and intent in performance
Unknown author
(
University of Pretoria
,
2018
)
The poetics of a transcultural adaptation in the process of directing the play Razor in the Flesh by Plinio Marcos (1967)
Unknown author
(
University of Pretoria
,
2018
)
Bosbok Ses films: Exploring postheroic narratives
Unknown author
(
University of Pretoria
,
2017
)
I confess therefore I am : how can online confessions be used in a social media cyber performance
Unknown author
(
University of Pretoria
,
2017
)
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