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- Browsing South African Journal of Art History Volume 23 (2008) by Type
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Browsing South African Journal of Art History Volume 23 (2008) by Type "Article"
Now showing items 1-20 of 42
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(Art Historical Work Group of South Africa, 2008)International interest in and encounters between Europeans and the “Hottentots” (Khoikhoi) of South Africa date back and span many centuries. Recurrent colonial encounters influenced the way in which artists, engravers, ...
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(Art Historical Work Group of South Africa, 2008)It is not widely known that South Africa’s most important pioneer sculptor, Anton van Wouw (1862-1945), received his initial training as an architectural sculptor. At an early stage in his career he worked for a concrete ...
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(Art Historical Work Group of South Africa, 2008)The thought of Merleau-Ponty, Silverman, Marx and Marcuse is a valuable repository of insights that may function as guidelines for ascertaining what would count as truly ‘human’ space – that is, a space that does not ...
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(Art Historical Work Group of South Africa, 2008)This chapter develops a methodological discussion on questions of hybridity in architectural theory and design, in the context of post-apartheid South Africa. Reference is made to differing ideas of hybridity; from early ...
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(Art Historical Work Group of South Africa, 2008)The book entitled Beautiful Ugly. African and Diaspora Aesthetics (2006) was heralded by its editor as a beautiful book. ‘Beautiful’ it certainly is, in a manner of speaking. The correspondence set up between its description ...
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(Art Historical Work Group of South Africa, 2008)The assumption is expressed that two very different, strongly mutually contrasting places are shown in ‘Servant pouring milk’, and this is the “hidden” dynamic of thought of this picture by a genius, which amazed, despite ...
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(Art Historical Work Group of South Africa, 2008)This article, taking as its point of departure the validity of Laclau and Mouffe’s perspectives on radical democracy, focuses, in particular, on whether or not neo-Marxist cultural criticism could, conceivably, have recourse ...
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(Art Historical Work Group of South Africa, 2008)There is an incongruity between the inherent changeability of both landscapes and memories, and the conventional, formal strategies of commemoration that typify the constructed landscape memorial. This paper will examine ...
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(Art Historical Work Group of South Africa, 2008)The relationship between design and empathy is not unproblematic. Consideration of this relationship brings several questions to mind, including whether it is possible for design to be practiced in a predominantly empathetic ...
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(Art Historical Work Group of South Africa, 2008)When the notion of empathy (Greek: em-pathos), which in its broadest sense may be defined as the ability to have compassion for and an understanding of the thoughts, feelings, and situation of another being and humanity ...
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(Art Historical Work Group of South Africa, 2008)This article analyses how the poststructuralist deconstruction of fixed knowledge and universal experiences, presents itself in two opposing ethical positions in postmodernist art and culture. On the one hand the deconstruction ...
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(Art Historical Work Group of South Africa, 2008)This paper aims to broaden the debate on dynamics that influence urban space formation, as a means to a better understanding and as a reference for the South African context. The dynamics that determine the formation of ...
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(Art Historical Work Group of South Africa, 2008)Humans are not only adapted to nature, but also adapt their domestic environment to suit their own needs. Here, I suggest that Japanese Zen gardens uniquely bridge these different formative spheres of our perceptual evolution ...
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(Art Historical Work Group of South Africa, 2008)The present article suggests that empathy is not the sole preserve of human beings, and that a city or buildings can also relate with empathy to people and the environment. The Walt Disney Concert Hall, designed by the ...
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Exploring ‘place-making,’ city squares & other places : Cape Town’s pre-apartheid spatial politics (Art Historical Work Group of South Africa, 2008)This paper explores the theoretical problems, contradictions and limits that architecturally-oriented ‘place-making,’ and the ‘city square’ typological thrust of place-making, evokes. The first part of this paper is a ...
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(Art Historical Work Group of South Africa, 2008)A love-story, in the form of a movie scenario, built around the impression formed by the painting “A Girl Asleep” (or “A Woman Asleep at Table”) by Johannes Vermeer, is presented.
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(Art Historical Work Group of South Africa, 2008)From the beginning of the 16th century Ilha de Moçambique [Mozambique Island] represented for the Portuguese the most important port of call in the Carreira da Índia, the round voyage between Portugal and India. After the ...
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(Art Historical Work Group of South Africa, 2008)In this article I will be elaborating a position first articulated by R. Buckminster Fuller. This position is that the geometry we rely on to inform and motivate our acts is central to our being in the world, and hence our ...
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(Art Historical Work Group of South Africa, 2008)Environmental degradation, pollution and poverty are said to be destroying most countries worldwide. This article responds to the need for the recognition of the role that ecologically-concerned art can play in environmental ...
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(Art Historical Work Group of South Africa, 2008)The relationship between landscape and culture, or landscape and memory, is a developing discourse in anthropological and other cross-disciplinary fields in recent years. During the late nineties, tangible and intangible ...
Now showing items 1-20 of 42