South African Journal of Art History Volume 29 (2014)
Permanent URI for this collectionhttp://hdl.handle.net/2263/46288
South African Journal of Art History, Volume 28, Issue 3 (2014)
|
|
Content |
|
De Lange, Rudi W | The representation of women as a competitive self-objectified image : a new design identity of misleading slimming advertising |
Du Toit, Flip | Interpreting images from South African family photographic collections of the Anglo-Boer War period 1899 to 1902 |
Mare, Estelle Alma | “I paint, therefore I am” : self-portraiture in the era of the self-aware and self-reflexive artist |
Noble, J.A. (Jonathan) | On the question of architecture and identity, in post-apartheid South Africa |
Olivier, Bert | Identity in architecture and art : Versailles, Giverny and Gyeongju |
Keogh, Sarah | Visualising the merging of culture from an ‘other’ perspective |
Steyn, Gerald | Globalisation, vernacularisasion and the invention of identities |
South African Journal of Art History, Volume 29, Issue 4 (2014)
|
|
Content |
|
Du Preez, Linda | “Hollow” : reflections on practice, the artefact and the body |
Goodrich, Andre; Strydom, Richardt | Landscape art and the territorial ontology : a call for landscape restitution |
Goosen, Moya | Reflective Conversations : baudrillard’s orders of the simulacrum |
Greyling, Franci | Sin van plek en bioregionalisme : gelaagdheid in ʼn kunstenaarsboekinstallasie van Stanley Grootboom |
Marley, Ian; Swanepoel, Rita | Die deelnemingsparadigma as ’n addisionele paradigma in multi-praktisyns en praktykgeleide navorsingsprojekte |
Rathbone, Louisemarié; Lotz, Colette | Character and characterisation in the visual arts : nunology’s punning characters |
Strydom, Richardt; Goosen, Moya | Expressing liminality through a reflective practice account of Dismotief |
Swanepoel, M.C. (Rita) | Hope in despair : an interpretation of Jean Lampen and Rita Swanepoel’s Silent Cries (2013) |