Abstract:
The purpose of this dissertation is to explore the ways in which solo pianism could be influenced by répétiteur work. In my experience as a solo and collaborative pianist, I have benefited musically from engaging in répétiteur work. It has become evident to me that a reciprocal relationship between répétiteur work and solo piano performance exists. This is a practice-led study based on a qualitative approach with a performative paradigm. The literature studied includes the available sources by experts in the following fields: opera coaching, vocal accompaniment, collaborative pianism, the work of a répétiteur and various aspects of solo pianism. I also draw on my own experience as répétiteur and solo pianist. The following aspects were explored: breathing, phrasing and cantabile playing; imitating orchestral timbre on the piano; as well as facets of interpretation and expression. An interpretative analysis of numerous excerpts from the vocal and solo repertoire was conducted in order to elucidate the aspects explored.
