Reading the book of Lamentations as a whole : canonical-literary approach to the scripture as divine communicative action

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dc.contributor.advisor Venter, P.M. (Pieter Michiel), 1947- en
dc.contributor.postgraduate Kang, Shinman en
dc.date.accessioned 2013-09-06T22:42:06Z
dc.date.available 2009-06-30 en
dc.date.available 2013-09-06T22:42:06Z
dc.date.created 2009-04-18 en
dc.date.issued 2009-06-30 en
dc.date.submitted 2009-06-18 en
dc.description Dissertation (MA(Theology))--University of Pretoria, 2009. en
dc.description.abstract This dissertation is basically a reading the book of Lamentation as a literary whole in a sense of a text-centred approach, which aims to interpret the Scripture as divine communicative action. The major philosophical resources that I employ in this study are the Speech-Act theory developed by J. Austin and J. Searle, and the concepts particularly exemplified in the work of K. Vanhoozer. I look at repetition and literary techniques in Lamentations as a clue to its structural unity. In the body of the dissertation, Instead of historical-critical approaches, I claim that the meaning exists not ‘behind the text,’ but ‘in the text itself as a whole.’ One of the most important literary approaches to understanding the book of Lamentations is to note the poetic voices, which interweave in the text. The poetic voices are my main focus of understanding the book of Lamentations. I explain the literary meaning reading the text and demonstrate that we must find the canonical level of the meaning which supervenes on the literary level. The meaning of a text at a literary level must be carefully studied and modified by the ‘fuller sense (or meaning)’ derived from the canonical context. The ‘fuller sense’ of Scripture associated with divine authorship emerges only at the level of the whole canon. Here for the canonical meaning of the text, I focus on Vanhoozer’s assertion, having proposed the suitability of speech act theory for the various tasks of biblical interpretation and theological hermeneutics. When we read the text, there is no utterance from God in Lamentations. It is the missing voice. The main theme of Lamentations is "Where is the true comfort?". The text presents no comfort. In the literary context, God keeps silent (non-speaking). Canonically, however, Christian readers as God’s people read the Bible, connecting it to Jesus Christ. Within the canonical context, we can indeed find an answer and God’s answering speech (that is, His act), because Jesus is their true comforter acting as God’s response. We can find this response in his teaching (e.g. Jesus’ Sermon on the Mount) and in his mission (e.g. presenting his body as the temple, being Immanuel, God-with-us). en
dc.description.availability unrestricted en
dc.description.department Old Testament Studies en
dc.identifier.citation Kang, S 2008, Reading the Book of Lamentations as a whole : canonical-literary approach to the scripture as divine communicative action, MA(Theology) dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/25614 > en
dc.identifier.other E1285/gm en
dc.identifier.upetdurl http://upetd.up.ac.za/thesis/available/etd-06182009-161452/ en
dc.identifier.uri http://hdl.handle.net/2263/25614
dc.language.iso en
dc.publisher University of Pretoria en_ZA
dc.rights ©University of Pretoria 2008 en
dc.subject Text-centred approach en
dc.subject Divine communicative act en
dc.subject Divine discourse en
dc.subject Canonical approach en
dc.subject Acrostic form en
dc.subject Speech-act theory en
dc.subject Speaking voice en
dc.subject Persona en
dc.subject Parallelism of hebrew poetry en
dc.subject Polyphonic voice en
dc.subject Mikhail m bakhtin en
dc.subject Perlocution en
dc.subject Illocution en
dc.subject Locution en
dc.subject Literary criticism en
dc.subject Kevin vanhoozer en
dc.subject J searle en
dc.subject J austin en
dc.subject UCTD en_US
dc.title Reading the book of Lamentations as a whole : canonical-literary approach to the scripture as divine communicative action en
dc.type Dissertation en


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