Getting away with it

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dc.contributor.upauthor Taub, Myer
dc.date.accessioned 2012-10-05T14:21:18Z
dc.date.available 2012-10-05T14:21:18Z
dc.date.issued 2011
dc.description.abstract This paper applies an appropriation of leveling, as a performance / performance art construct, in order to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg. en_US
dc.description.abstract Hierdie dokument/vraestel pas ‘n betrokke aanwending van gelykmaking toe - in die vorm van ‘n optrede/ ‘n ‘vertonings kuns’ konstruksie, om sodoende by te dra tot die dialoog tussen kuns en outoriteit in die na-Apartheids stad van Johannesburg af
dc.description.librarian ai2013 en
dc.format.extent 15 pages en_US
dc.format.medium PDF en_US
dc.identifier.citation Taub, M 2011, 'Getting away with it', South African Journal of Art History, vol. 26, no. 1, pp. 126-140. [http://www.journals.co.za/ej/ejour_sajah.html] en_US
dc.identifier.issn 0258-3542
dc.identifier.uri http://hdl.handle.net/2263/20060
dc.language.iso en en_US
dc.publisher Art Historical Work Group of South Africa en_US
dc.rights Art Historical Work Group of South Africa en_US
dc.subject Art en_US
dc.subject Social intervention en_US
dc.subject Constitutional law en_US
dc.subject Municipal law en_US
dc.subject Johannesburg en_US
dc.subject.lcsh Freedom and art -- South Africa -- Johannesburg en
dc.subject.lcsh Law and art -- South Africa -- Johannesburg en
dc.subject.lcsh Art -- Censorship -- South Africa -- Johannesburg en
dc.subject.lcsh Performance art -- South Africa -- Johannesburg en
dc.subject.lcsh Social isolation -- South Africa -- Johannesburg en
dc.title Getting away with it en_US
dc.type Article en_US


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