dc.contributor.author |
Swanepoel, Pieter
|
|
dc.date.accessioned |
2011-03-25T12:09:53Z |
|
dc.date.available |
2011-03-25T12:09:53Z |
|
dc.date.issued |
2010 |
|
dc.description.abstract |
Perhaps we have become comfortably numb ever since Barthes' (1977:146) distressing yet emancipating signal that all texts function on multidimensional levels at once, to disclose divergent and clashing opinions rather than a singular foregone conclusion professed by a godly author. Still, one would think that competitions (particularly as texts indicative of an apogee) would, within a traditional understanding of what the word 'competition' stands for, remain an exception to the rule. |
en_US |
dc.identifier.citation |
Swanepoel, P 2010, 'Notes on how to win (the L'Atelier) and still be free', De Arte, no. 82, pp. 72-75. [http://journals.sabinet.co.za/ej/ejour_dearte.html] |
en_US |
dc.identifier.issn |
0004-3389 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/16122 |
|
dc.language.iso |
en |
en_US |
dc.publisher |
Unisa Press |
en_US |
dc.rights |
© University of South Africa Press |
en_US |
dc.subject |
L'Atelier |
en_US |
dc.subject.lcsh |
Absa L'Atelier competition -- South Africa |
en |
dc.subject.lcsh |
Art -- Reviews -- South Africa |
en |
dc.title |
Notes on how to win (the L'Atelier) and still be free |
en_US |
dc.type |
Article |
en_US |