Exploring first-year visual srts education students' perceptions of creativity

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dc.contributor.advisor Human, Delene
dc.contributor.postgraduate Willemse, Jean-Marie
dc.date.accessioned 2024-02-09T06:12:49Z
dc.date.available 2024-02-09T06:12:49Z
dc.date.created 2024-04
dc.date.issued 2023
dc.description Dissertation (MEd (Art Education))--University of Pretoria, 2023. en_US
dc.description.abstract This study explored how first-year Visual Arts education students perceived creativity. The focus was on visual arts in the first semester of the students’ first year of study, that is, the Visual Arts practical module JKU 101 at the University of Pretoria. I examined these students’ perceptions of creativity by taking influences like family, social background, gender, age, culture, other individuals in the individual’s life, and background information gathered through questionnaires into consideration while analysing their first artwork created during their first semester. There have been many studies on creativity and how it exists, but not many of these have discussed how individuals perceive creativity. Generally, the focus has been on the perception that individuals need to be creative to experience creativity but excluded those who do not identify as creative. In my study, to address this gap, I relied on existing studies to guide me while analysing the artwork of selected first-year Visual Arts education students to identify how they perceived creativity. I further relied on the “thinking hats” theory developed by de Bono in 1985 and the triarchic theory of human intelligence developed by Sternberg in 2003 to explore the creativity of those who did not identify as creative. De Bono’s lateral thinking method (the “thinking hats” theory) states that all individuals, no matter the influences or their skills, still experiences creativity. My findings showed that all the students in the study, irrespective of their skill set or level of creativity, experienced creativity, and that their ability to experience creativity was based on both internal and external influences. Nonetheless, at times, creativity in some of the individuals went unrecognised because it was identified differently. Consequently, I surmise that creativity and critical thinking are not limited to “special people” or “special occasions”, but that all people experience creativity in different ways. en_US
dc.description.availability Unrestricted en_US
dc.description.degree MEd (Art Education) en_US
dc.description.department Humanities Education en_US
dc.description.faculty Faculty of Education en_US
dc.description.sdg SDG-04: Quality Education en_US
dc.identifier.citation * en_US
dc.identifier.doi * en_US
dc.identifier.other A2024 en_US
dc.identifier.uri http://hdl.handle.net/2263/94399
dc.language.iso en en_US
dc.publisher University of Pretoria
dc.rights © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject UCTD en_US
dc.subject Creativity en_US
dc.subject Perception en_US
dc.subject Artwork en_US
dc.subject Cognitive en_US
dc.subject Multifaceted en_US
dc.subject.other Sustainable Development Goals (SDGs)
dc.subject.other SDG-04: Quality Education
dc.subject.other Education theses SDG-04
dc.subject.other SDG-05: Gender Equality
dc.subject.other Education theses SDG-05
dc.subject.other SDG-10: Reduced Inequalities
dc.subject.other Education theses SDG-10
dc.subject.other SDG-08: Decent Work and Economic Growth
dc.subject.other Education theses SDG-08
dc.title Exploring first-year visual srts education students' perceptions of creativity en_US
dc.type Dissertation en_US


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