Exploring first-year visual srts education students' perceptions of creativity

dc.contributor.advisorHuman, Delene
dc.contributor.emailjeanmariewillemse@gmail.comen_US
dc.contributor.postgraduateWillemse, Jean-Marie
dc.date.accessioned2024-02-09T06:12:49Z
dc.date.available2024-02-09T06:12:49Z
dc.date.created2024-04
dc.date.issued2023
dc.descriptionDissertation (MEd (Art Education))--University of Pretoria, 2023.en_US
dc.description.abstractThis study explored how first-year Visual Arts education students perceived creativity. The focus was on visual arts in the first semester of the students’ first year of study, that is, the Visual Arts practical module JKU 101 at the University of Pretoria. I examined these students’ perceptions of creativity by taking influences like family, social background, gender, age, culture, other individuals in the individual’s life, and background information gathered through questionnaires into consideration while analysing their first artwork created during their first semester. There have been many studies on creativity and how it exists, but not many of these have discussed how individuals perceive creativity. Generally, the focus has been on the perception that individuals need to be creative to experience creativity but excluded those who do not identify as creative. In my study, to address this gap, I relied on existing studies to guide me while analysing the artwork of selected first-year Visual Arts education students to identify how they perceived creativity. I further relied on the “thinking hats” theory developed by de Bono in 1985 and the triarchic theory of human intelligence developed by Sternberg in 2003 to explore the creativity of those who did not identify as creative. De Bono’s lateral thinking method (the “thinking hats” theory) states that all individuals, no matter the influences or their skills, still experiences creativity. My findings showed that all the students in the study, irrespective of their skill set or level of creativity, experienced creativity, and that their ability to experience creativity was based on both internal and external influences. Nonetheless, at times, creativity in some of the individuals went unrecognised because it was identified differently. Consequently, I surmise that creativity and critical thinking are not limited to “special people” or “special occasions”, but that all people experience creativity in different ways.en_US
dc.description.availabilityUnrestricteden_US
dc.description.degreeMEd (Art Education)en_US
dc.description.departmentHumanities Educationen_US
dc.description.facultyFaculty of Educationen_US
dc.description.sdgSDG-04: Quality Educationen_US
dc.identifier.citation*en_US
dc.identifier.doi*en_US
dc.identifier.otherA2024en_US
dc.identifier.urihttp://hdl.handle.net/2263/94399
dc.language.isoenen_US
dc.publisherUniversity of Pretoria
dc.rights© 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_US
dc.subjectCreativityen_US
dc.subjectPerceptionen_US
dc.subjectArtworken_US
dc.subjectCognitiveen_US
dc.subjectMultifaceteden_US
dc.subject.otherSustainable development goals (SDGs)
dc.subject.otherSDG-04: Quality education
dc.subject.otherEducation theses SDG-04
dc.subject.otherSDG-05: Gender equality
dc.subject.otherEducation theses SDG-05
dc.subject.otherSDG-10: Reduced inequalities
dc.subject.otherEducation theses SDG-10
dc.subject.otherSDG-08: Decent work and economic growth
dc.subject.otherEducation theses SDG-08
dc.titleExploring first-year visual srts education students' perceptions of creativityen_US
dc.typeDissertationen_US

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