Home Sweet Museum : investigating the overlap between museum and residence at The Lindfield Victorian House Museum

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dc.contributor.advisor McGinn, Isabelle
dc.contributor.coadvisor Lindeque, Melissa
dc.contributor.postgraduate Collett, Nancy Mae
dc.date.accessioned 2023-02-14T10:35:55Z
dc.date.available 2023-02-14T10:35:55Z
dc.date.created 2023-04
dc.date.issued 2022
dc.description Mini Dissertation (MSocSci (Tangible Heritage Conservation)--University of Pretoria, 2022. en_US
dc.description.abstract The role of conservation within museums is well-established and can be viewed as straightforward due to the ability to control and regulate environments, access, and use of objects. It is far more complex and challenging to reach the same levels of control in open heritage sites, heritage buildings, and period house museums. These spaces combine conservation of the historic structure, as well as furnishings and objects which do not fit neatly within glass display cabinets where light, dust, pollutants, pests, and other so-called agents of deterioration can be kept out or minimized. When a period house is managed as a museum, there are generally controls set in place to mimic the control found in more traditional museum environment: walkways are delineated and carpeted so as to cause minimal damage to original flooring, objects are kept out of reach, furnishings and sensitive areas of a room are cordoned off. Through regular monitoring, maintenance and cleaning, deterioration and damage are kept to a minimum. The Lindfield Victorian House Museum in Auckland Park, Johannesburg is open to the public as a museum – however, it is also home to owner and curator Katherine Love. Love has looked after the beautifully curated home for decades now, maintaining the house and its Victorian and Edwardian contents to blue heritage plaque status. This intersection between home and museum is a complex balancing act. There are certain practices and daily activities performed within the home that are, by their very nature, hazardous to the objects that are within the house. Conversely, it is this day-to-day living, and the very presence of Katherine Love, that brings the museum to life and gives it its quirky edge, making the Victorian past seem present and important. This research offers a chance to examine the house and its contents, identify potential risks to the continued survival of the collection and offer Love some guidance and potential solutions to mitigate these, so she may continue to care for her home-museum hybrid. en_US
dc.description.availability Unrestricted en_US
dc.description.degree MSocSci (Tangible Heritage Conservation) en_US
dc.description.department Tangible Heritage Conservation en_US
dc.description.sponsorship UP Postgraduate Masters Coursework bursary en_US
dc.description.sponsorship Department of Sport, Arts and Culture Funding en_US
dc.identifier.citation * en_US
dc.identifier.doi 10.25403/UPresearchdata.22085831 en_US
dc.identifier.other A2023
dc.identifier.uri https://repository.up.ac.za/handle/2263/89494
dc.publisher University of Pretoria
dc.rights © 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject Site museum en_US
dc.subject Period house museum en_US
dc.subject Home-museum hybrid en_US
dc.subject Lived-in museum en_US
dc.subject Preventive conservation en_US
dc.subject UCTD
dc.title Home Sweet Museum : investigating the overlap between museum and residence at The Lindfield Victorian House Museum en_US
dc.type Mini Dissertation en_US


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