Home Sweet Museum : investigating the overlap between museum and residence at The Lindfield Victorian House Museum

dc.contributor.advisorMcGinn, Isabelle
dc.contributor.coadvisorLindeque, Melissa
dc.contributor.emailnmcollett@gmail.comen_US
dc.contributor.postgraduateCollett, Nancy Mae
dc.date.accessioned2023-02-14T10:35:55Z
dc.date.available2023-02-14T10:35:55Z
dc.date.created2023-04
dc.date.issued2022
dc.descriptionMini Dissertation (MSocSci (Tangible Heritage Conservation)--University of Pretoria, 2022.en_US
dc.description.abstractThe role of conservation within museums is well-established and can be viewed as straightforward due to the ability to control and regulate environments, access, and use of objects. It is far more complex and challenging to reach the same levels of control in open heritage sites, heritage buildings, and period house museums. These spaces combine conservation of the historic structure, as well as furnishings and objects which do not fit neatly within glass display cabinets where light, dust, pollutants, pests, and other so-called agents of deterioration can be kept out or minimized. When a period house is managed as a museum, there are generally controls set in place to mimic the control found in more traditional museum environment: walkways are delineated and carpeted so as to cause minimal damage to original flooring, objects are kept out of reach, furnishings and sensitive areas of a room are cordoned off. Through regular monitoring, maintenance and cleaning, deterioration and damage are kept to a minimum. The Lindfield Victorian House Museum in Auckland Park, Johannesburg is open to the public as a museum – however, it is also home to owner and curator Katherine Love. Love has looked after the beautifully curated home for decades now, maintaining the house and its Victorian and Edwardian contents to blue heritage plaque status. This intersection between home and museum is a complex balancing act. There are certain practices and daily activities performed within the home that are, by their very nature, hazardous to the objects that are within the house. Conversely, it is this day-to-day living, and the very presence of Katherine Love, that brings the museum to life and gives it its quirky edge, making the Victorian past seem present and important. This research offers a chance to examine the house and its contents, identify potential risks to the continued survival of the collection and offer Love some guidance and potential solutions to mitigate these, so she may continue to care for her home-museum hybrid.en_US
dc.description.availabilityUnrestricteden_US
dc.description.degreeMSocSci (Tangible Heritage Conservation)en_US
dc.description.departmentTangible Heritage Conservationen_US
dc.description.sponsorshipUP Postgraduate Masters Coursework bursaryen_US
dc.description.sponsorshipDepartment of Sport, Arts and Culture Fundingen_US
dc.identifier.citation*en_US
dc.identifier.doi10.25403/UPresearchdata.22085831en_US
dc.identifier.otherA2023
dc.identifier.urihttps://repository.up.ac.za/handle/2263/89494
dc.publisherUniversity of Pretoria
dc.rights© 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectSite museumen_US
dc.subjectPeriod house museumen_US
dc.subjectHome-museum hybriden_US
dc.subjectLived-in museumen_US
dc.subjectPreventive conservationen_US
dc.subjectUCTD
dc.titleHome Sweet Museum : investigating the overlap between museum and residence at The Lindfield Victorian House Museumen_US
dc.typeMini Dissertationen_US

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