Browsing South African Journal of Art History Volume 25 (2010) by Title

Browsing South African Journal of Art History Volume 25 (2010) by Title

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  • The recovery of dialogue 
    Deane, Darren R. (Art Historical Work Group of South Africa, 2010)
    The cultural richness that once made Leonardo’s "Paragone" possible quickly waned in the wake of the 18th century separation of natural science and fine art into competing systems of knowledge, leaving architects to contend ...
  • Time-images in Khyentse Norbu's "Travellers and Magicians" (2003) : the possibility of critical Buddhist cinema 
    Konik, Adrian (Art Historical Work Group of South Africa, 2010)
    Like many other critical Third World films, Khyentse Norbu’s "Travellers and Magicians" (2003) is orientated less around meeting Hollywood entertainment standards, and more around a neorealist reflection upon the socio-cultural ...
  • Toward the poetic in architecture 
    Auret, Hendrik (Art Historical Work Group of South Africa, 2010)
    The Poetics of architecture addresses the “making of architecture” simultaneously as an act of physical construction and a mental act of construing. In the past it has been investigated as a scientific (rational) or artistic ...
  • Towards a dialogical design studio : mediating absurdities in undergraduate architectural education in South Africa 
    Coetzer, Nicholas (Art Historical Work Group of South Africa, 2011)
    The design studio is a key component of architectural education. In South African universities, the design studio tends to be dominated by what I call the Apprenticeship Studio. This teaching approach establishes the ...
  • A typology for 'waenhuise' in the vernacular farm architecture of the trans-Vaal River region 
    Naude, Mauritz (Art Historical Work Group of South Africa, 2010)
    The word ‘waenhuis’ has become synonymous for what is also referred to as a ‘wagon shed.’ Eventually, the term will disappear as the building’s association with wagons becomes less obvious. At the same time ‘waenhuise’ ...
  • What is out of sight and un-foreseeable : Pieter Hugo's filtered images 
    Schoeman, G.T. (Art Historical Work Group of South Africa, 2010)
    This article is a continuation of my exploration of photography with reference to the dialectics of historicity and expectation, archive and performance, absence and presence, theatricality and antitheatricality, visibility ...