Van den Berg, Dirk Johannes2011-06-022011-06-022011-051992-11Van den Berg, DJ 1992, 'Pikturale wendingsfigure in pikareske narratiewe', South African Journal of Art History, vol. 10, pp. 1-11.0258-3542http://hdl.handle.net/2263/16698Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)Note: This is part one of a 22 page articleDie redenasie word met behulp van woord-beeldinteraksies gevoer. Eers word enkele narratologiese begrippe verduidelik aan die hand van bevatlike items uit die massakommunikasiemedia. Daarna word die lees van pikturale tekste aan die orde gestel en narratologiese onderskeidings toegepas op enkele mylpale in die geskiedenis van pikturale vertellings. Ter voorbereiding van die slotopmerkings oor die 'pikareske tradisie' word die hooflyn van die argument telkens onderbreek met komiese tussenspele waarin die voorafgaande onderskeidings gerelativeer word.The argument is constructed from interactions between word and image. Some narratological categories are first explained by referring to common items from the mass communication media. A next section on the reading of pictorial texts introduces narratological distinctions subsequently applied to examples from the history of pictorial narratives. In preparation for the concluding observations on the 'picaresque tradition', comic interludes which relativise the preceding distinctions occasionally interrupt the flow of the main argument.11 pagesPDFAfrikaansArt Historical Work Group of South AfricaVisual narrativesPictorial textsAdvertensiesAdvertisementsVisuele narratiewePikturale teksteArt criticismKunskritiekInterpretationInterpretasieKunsvertolkingPikareske tradisiePicaresque traditionGeillustreerde teksteArt -- HistoryPicaresque literatureIllustration of booksNarrative artArt criticismVisual communicationJournalism, PictorialAdvertisingSymbolism in advertisingVisual perception in advertisingArticle