Moonsamy, Nedine2021-10-152020Nedine Moonsamy (2020) Lauren Beukes discusses Afterland (2020), Scrutiny2, 25:2, 144-149, DOI: 10.1080/18125441.2020.1859747.1812-5441 (print)1753-5409 (online)10.1080/18125441.2020.1859747http://hdl.handle.net/2263/82121Set in 2023, Lauren Beukes’s Afterland captures the devastating effects of a global viral pandemic. About three years prior, a highly contagious virus, called the human culgoa virus (HCV), induced terminal prostate cancer and killed around four billion men. Steeped in grief after the abrupt loss of fathers, husbands, brothers, and sons, coupled with the gaping holes left behind in previously male-dominated industries, the remaining female population have not recovered from the blow. Society is in a state of disrepair, and with no cure in sight, women are barred from further procreation. The few males who have proven immune against HCV have become hot commodities for various agendas, so the odds are stacked against Cole in her bid to return home to Johannesburg with her young son, Miles.en© Unisa Press 2021. This is an electronic version of an article published in Scrutiny2 , vol. 25, no. 2, pp. 144-149, 2020. doi : 10.1080/18125441.2020.1859747. Scrutiny2 is available online at : http://www.tandfonline.comloi/rscr20.AfterlandLauren Beukes (1976- )Postprint Article