Bezuidenhout, L.C. (Louis Christiaan)2012-02-202012-02-201997Bezuidenhout, LC 1997. 'Voorstellings van Batseba : Intertekstualiteit in literêre kuns, beeldende kuns en werklikheid', HTS Teologiese Studies/ Theological Studies, vol. 53, no. 3, pp. 529-5420259-9422 (print)http://hdl.handle.net/2263/18179Spine cut of Journal binding and pages scanned on flatbed EPSON Expression 10000 XL; 400dpi; text/lineart - black and white - stored to Tiff Derivation: Abbyy Fine Reader v.9 work with PNG-format (black and white); Photoshop CS3; Adobe Acrobat v.9 Web display format PDFInteresting parallels between literary and visual arts exist. A text may possess visuality, while visual arts may possess textuality. In this paper, the interrelations between the literary description of the story of David and Bathsheba (2 Sm 11) and depictions of this story in the visual arts are explored. For some reason, this story possesses exceptional creative potential. Particular attention is given to the painting 'The Toilet of Bathsheba (1654)' by Rembrandt. An analysis of this painting sheds light on the subtle dynamics of the story. Its haunting beauty succeeds in communicating the complex implications of the story. Sexuality serves as an interface between the story and reality, luring the reader into this intrigue. The reader finds himself unexpectedly in David's position. By acknowledging this kind of intertextuality, new dimensions of meaning can be explored.14 pagesPDFAfrikaansFaculty of Theology, University of PretoriaKing DavidDavid -- King of IsraelBathsheba (Biblical figure) -- ArtArticle