Eloff, FanieMoloney, Melita2016-07-072016-07-0719172011http://hdl.handle.net/2263/54332This sculpture of a forlorn-looking woman is largely unknown and was published in a 1917 article . With reference to the article, Eloff states that this work of a woman crying was not intended to resemble someone in particular, but was merely created to capture an emotion.Plaster of ParisCopyright of the electronic version, University of Pretoria.ArtWomanWeepingSculptureSculptors -- South AfricaArts, Modern -- 20th centuryStill Image