Celliers-Barnard, Bettie2016-07-062016-07-0619592010http://hdl.handle.net/2263/53834After Bettie’s visit to Paris in 1956 she was greatly influenced by the non-figurative work of the avant-garde artists. In works such as this abstract composition we see Bettie’s striving for purity of form and colour, with emphasis on the schematic and cerebral. Here she finds expression in a world of autonomous forms and shapes.600mm x 750mmOil on canvasCopyright of the electronic version, University of Pretoria.Non-figurativeShapesAbstractPainting -- South AfricaArts, Modern -- 20th centuryImage