Van den Berg, Dirk Johannes2010-12-092010-12-092010-112001Van den Berg, DJ 2001, 'Invisible cities and primed spectators.' South African Journal of Art History, vol. 16, pp. 132-138.0258-3542http://hdl.handle.net/2263/15404Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)This essay discusses the extraordinary travelling exhibition mounted by Alan Alborough as Standard Bank Young Artist of 2000. Reviewing its interaction with the art world's museum and art systems, an attempt is also made to interpret Alborough's work in terms of a scenic worldview framework.Hierdie essay bespreek die buite[n]gewone reistentoonstelling aangebied deur Allen [Alan] Alborough, die Standard Bank Jong Kunstenaar van 2000. Die interaksie daarvan met die museum- en kunssisteme van die kunswêreld word bespreek. 'n Poging word ook aangewend om Alborough se werk in terme van 'n sceniese wêreldbeskoulike raamwerk te interpreteer.7 pagesPdfenArt Historical Work Group of South AfricaInstallation art -- South AfricaArt, South African -- ExhibitionsArt, South African -- 21st centuryArt -- Awards -- South AfricaArt -- Individual ArtistsAlborough, Alan, 1964-Art -- HistoryArt, South African -- ExhibitionsInstallations (Art) -- Awards -- South AfricaAlborough, Alan, 1964- -- AwardsArticle