Loubser, Maggi2022-02-212022-02-212022-042021-01*http://hdl.handle.net/2263/84114Mini Dissertation (MSocSci (Tangible Heritage Conservation))--University of Pretoria, 2021.The study aims to achieve a deeper understanding of the materials and techniques used by Alexis Preller in his early work, Man in the Sun 1936. A survey of the artist’s materials and techniques is of great importance as this information can guide conservators so that appropriate conservation actions can be applied in the future. Furthermore, by investigating Alexis Preller’s Man in the Sun, a greater appreciation and understanding of the painting’s anatomy will be achieved. This work intends to examine and document the materiality and techniques used by Preller through the combination of various historical, visual, and analytical techniques. The analytical techniques used are a preferred response when dealing with the conservation of oil paintings on canvas, because of their non-invasive and non-destructive nature. These techniques include provenance studies, visual examination, technical photography, and X-ray Fluorescence. In combination, the techniques should reveal the materials and techniques Preller used in Man in the Sun.en© 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.UCTDHeritage ConservationArt ConservationAlexis PrellerSouth African ArtTechnical PhotographyVisual AnalysisX-ray FluorescenceThe art of ‘looking’ : a technical analysis of Alexis Preller’s Man in the SunMini Dissertation