Celliers-Barnard, Bettie2016-07-062016-07-0619642010http://hdl.handle.net/2263/53858The exercise piece shows how the artist started experimenting with nonfigurative forms. She considered non-figurative abstraction as a way to gauge the cosmos in all its magnificence and to contemplate the special in juxtaposition to the concrete.400mm x 485mmCrayonCopyright of the electronic version, University of Pretoria.Non-figurativeFormsPainting -- South AfricaArts, Modern -- 20th centuryImage