Viljoen, Russel Stafford2012-10-052012-10-052011Viljoen, R 2011, '“Cape of Execution”: the gallows at the Cape of Good Hope as represented in the colonial art of Johannes Rach and Lady Anne Barnard', South African Journal of Art History, vol. 26, no. 1, pp. 156-170. [http://www.journals.co.za/ej/ejour_sajah.html]0258-3542http://hdl.handle.net/2263/20042During the eighteenth century, the Cape Colony developed into a violent society in every sense of the word. The type of crimes committed by perpetrators, the sentences imposed by the colonial authorities and the Court of Justice were equally violent. The depiction of the gallows by colonial artists has provided scholars with new insights on South Africa’s past, especially with regard to the increase in violence and the punishment faced by the condemned.Gedurende die agtiende-eeu het die Kaapkolonie ontwikkel in ’n geweldadige samelewing in elke sin van die woord. Die tipe misdade wat gepleeg is deur oortreders en die strawwe wat opgelê is deur die koloniale outoriteite en die Raad van Justisie was eweneens geweldadig. Die uitbeelding van die galg deur koloniale kunstenaars, het navorsers voorsien van nuwe insigte aangaande die Suid- Afrikaanse verlede, veral met betrekking tot die toename in geweld en die straf wat die veroordeeldes in die oë gestaar het.15 pagesPDFenArt Historical Work Group of South AfricaColonial artExecution in artBarnard, Lady AnneRach, JohannesArt -- South Africa -- HistoryGallows -- South Africa -- History -- 18th centuryViolence -- South Africa -- History -- 18th centuryCapital punishment -- South Africa -- History -- 18th centuryCapital punishment in artArt, Colonial -- South Africa -- Cape of Good HopeArticle