Theron, Antoinette L.2011-06-022011-06-022011-051993-11Theron, AL 1993, 'Mite as metafoor vir kreatiwiteit in Picasso se "Blinde Minotaurus gelei deur 'n meisie met 'n wilde bos blomme" (1934) (Vollard-suite)', South African Journal of Art History, vol. 11, pp. 33-42.0258-3542http://hdl.handle.net/2263/16694Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)Die simboliese betekenis van Picasso se uitbeelding van mitologiese figure as verwysing na Dionysiese kreatiwiteit word ondersoek. Dit word in die gebruik van mite in surrealitiese kuns gekontekstualiseer. Ten slotte word afleidings oor Picasso se siening van die kreatiwiteit van die kunstenaar gemaak.The symbolic meaning of Picasso's portrayal of mythological figures as references to Dionysian creativity is investigated. It is contextualized in the use of myth in surrealist art. Finally conclusions on Picasso's view of the artist's creativity are made.9 pagesPDFAfrikaansArt Historical Work Group of South AfricaPicasso, Pablo Ruiz, 1881-1973Dionysian creativityMythSurrealismMiteSurrealismeSymbolismSimbolismePaintingSkilderkunsMythological figuresMitologiese figureDionisiese kreatiwiteitDionysiese kreatiwiteitPicasso, Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz yArt -- HistoryMinotaur (Greek mythology)Myth in artSurrealismSymbolism in artPicasso, Pablo Ruiz, 1881-1973 -- SymbolismMite as metafoor vir kreatiwiteit in Picasso se "Blinde Minotaurus gelei deur 'n meisie met 'n wilde bos blomme" (1934) ("Vollard-suite")Article