Steyn, Gert2025-02-252025-02-252025-042024-08*A2025http://hdl.handle.net/2263/101203Thesis (PhD (New Testament))--University of Pretoria, 2024.This study examines the Philippians Hymn (Philippians 2:6–11) as a hermeneutical key to unlock the broader theological and rhetorical context of the Epistle to the Philippians. Through a detailed analysis of echoes, allusions, and neologisms, the research reveals how these elements foster both intertextual and intratextual dialogism, enriching the epistle's coherence and depth. By employing Patrick Juola’s authorship attribution model the study explores the Hymn’s origins and its deliberate integration by Paul, highlighting how the Hymn serves as a central, unifying component within the letter. The findings suggest that the Hymn is not merely a liturgical insertion but a critical element that enhances the theological discourse of the epistle. This research offers new insights into Pauline theology and the possible Pauline authorship of the Hymn, emphasizing the significance of the Hymn in understanding the complex interplay of themes within the early Christian community, and contributing to the broader field of biblical studies.Afrikaans© 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.UCTDSustainable Development Goals (SDGs)Filippense-himneHermeneutiese sleutelIntertekstualiteitIntratekstualiteitDialogismeOuteurskapattribusiemodelPatrick JuolaEggo’sToespelingsNeologismesPauliniese teologiePhilippians HymnHermeneutical keyIntertextualityIntratextualityDialogismAuthorship attributionEchoesAllusionsNeologismsPauline theologyThesisu90595719Disclaimer letter