Van der Merwe, T.Engel, E.P.2011-03-032011-03-0320111987-06Van der Merwe, T & Engel, EP, 1987, 'Simboliek van 'n kunstenaarskap,' South African Journal of Art History, vol. 2, issue 3&4, pp. 34-37.0258-3542http://hdl.handle.net/2263/15962Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)Oenskynlik lyk Preller se "Morning Glory" na 'n tradisionele stillewe. Formeel en ikonografies gesien is daar egter begripsmatige inkonsekwensies in die werk wat slegs struktureel-simbolies verstaan kan word.Seemingly Preller's Morning Glory appears to be a traditional still-life. However, ordinary formal analysis and iconographic description lead to inconsequences in the representation, which can only be resolved through a structural-symbolic interpretation.4 pagesAfrikaansArt Historical Work Group of South AfricaPreller's "Morning Glory"Preller, Alexis, 1911-1975Preller se "Morning Glory"Preller's "Blue Period"Preller se "Blouperiode"StilleweStill lifeArt -- HistorySymbolism in art -- South Africa -- History -- 20th centuryStill-life painting -- South Africa -- History -- 20th centuryPreller, Alexis, 1911-1975 -- SymbolismArticle