Swart koring van Joan Hambidge as parodie en pastiche op populêre kultuur

dc.contributor.authorCochrane, Neil
dc.contributor.emailcochrane@postino.up.ac.zaen_US
dc.date.accessioned2011-11-09T07:01:28Z
dc.date.available2011-11-09T07:01:28Z
dc.date.issued2004
dc.description.abstractIn this article the functioning of parody and pastiche as postmodern strategies in Swart koring (Black wheat) by Joan Hambidge are investigated. Firstly, the concepts of parody and pastiche within traditional and postmodern theoretical frameworks are discussed to clarify the distinction between these two closely related concepts. Secondly, the ways in which popular culture is undermined through the functioning of parody and pastiche and how this process operates within two specific post-modern manifestations will be explored. These manifestations include the disappearance of boundaries between high and popular literature and the manifestation of mass culture.en
dc.description.urihttp://www.letterkunde.up.ac.za/en_US
dc.identifier.citationCochrane, N 2004, 'Swart koring van Joan Hambidge as parodie en pastiche op populere kultuur', Tydskrif vir Letterkunde, vol. 41, no. 2, pp. 127-141.af
dc.identifier.issn0041-476X
dc.identifier.urihttp://hdl.handle.net/2263/17536
dc.language.isoAfrikaansaf
dc.publisherTydskrif vir Letterkunde Assosiasieen_US
dc.rightsTydskrif vir Letterkunde Assosiasieen
dc.subjectPasticheen
dc.subject.lcshHambidge, Joan, 1956- .Swart koringaf
dc.subject.lcshParody in literatureen
dc.subject.lcshAfrikaans literature -- History and criticismen
dc.subject.lcshPostmodernism (Literature)en
dc.titleSwart koring van Joan Hambidge as parodie en pastiche op populêre kultuuraf
dc.title.alternativeSwart koring by Joan Hambidge as parody and pastiche on popular cultureen
dc.typeArticleaf

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