Construing free inhabitation in the domestic architecture of the Silent Subversives (1950s to 1960s)

dc.contributor.advisorDe Bruyn, Derick
dc.contributor.emailderick.debruyn@up.ac.zaen_ZA
dc.contributor.postgraduateDe Bruyn, Thomas Frederick
dc.date.accessioned2019-02-15T13:36:25Z
dc.date.available2019-02-15T13:36:25Z
dc.date.created2019-04
dc.date.issued2018
dc.descriptionThesis (PhD)--University of Pretoria, 2018.en_ZA
dc.description.abstractThis thesis investigates the socio-spatial inhabitation of the domestic architecture of a collective of South African architects – the ‘Silent Subversives’ - during the heyday of apartheid (1950s to 1960s). The research re-evaluates and expands on limited writing surrounding this young post-war cohort. The study argues that the post-war notions of ‘freedom, democracy and equality’ were characteristic of an international ‘contemporary’ condition to which our agents aspired. Therefore, the enquiry rethinks any stylistic constructs and emergences in place for these architects. Instead, the thesis posits that the domestic architecture of the Silent Subversives indicates a shift from their predecessors towards finding domestic means – a silent subversive-ness – to transcend any economic and political constraints that they spontaneously expressed in socio-spatial and material conceptions. Adopting Bourdieu’s habitus theory, the study suggests that the condition of everyday living reciprocated with the structured spatiality of their domestic architecture indicates a notion of ‘freedom’ beyond stylistics. With regards societal domesticity, the exploration proposes that the silent reforms introduced in the 1950s sowed the seeds for the ‘class of the 1960s’. In light of current debates on housing densification, the study demonstrates the possible lessons that future researchers can draw with regards dwelling settlements. Firstly, the thesis contextualises the lifetime dispositions of the agents in relation to international and local political conditions. Then, a dialectical enquiry interprets stylistic ideologies revolving around the debates of ‘internationalism’ and ‘regionalism’. This enables a re-evaluation of historic stylistic labels assigned to the ‘emergence’ of our generation. Thereafter, relative to the post-war and apartheid socio-political circumstances, a hermeneutic approach allows for a socio-spatial architectural conception. Finally, the theory construes the notion of ‘free inhabitation’ as a contributing lesson towards debates concerning housing densities.en_ZA
dc.description.availabilityUnrestricteden_ZA
dc.description.degreePhD Architectureen_ZA
dc.description.departmentArchitectureen_ZA
dc.identifier.citationDe Bruyn, TF 2018, Construing free inhabitation in the domestic architecture of the Silent Subversives (1950s to 1960s), PhD Architecture Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/68472>en_ZA
dc.identifier.otherA2019en_ZA
dc.identifier.urihttp://hdl.handle.net/2263/68472
dc.language.isoenen_ZA
dc.publisherUniversity of Pretoria
dc.rights© 2019 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_ZA
dc.subjectApartheiden_ZA
dc.subjectDispositions
dc.subjectHabitus
dc.subjectInhabitation
dc.subjectTranscend
dc.subjectSocio-spatial
dc.subjectUCTD
dc.titleConstruing free inhabitation in the domestic architecture of the Silent Subversives (1950s to 1960s)en_ZA
dc.typeThesisen_ZA

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