Coriolanus/Post-Coriolanus/Counter-Coriolanus/DCoriolanus?
| dc.contributor.author | Brown, Molly | |
| dc.contributor.email | molly.brown@up.ac.za | en_ZA |
| dc.date.accessioned | 2018-04-13T07:12:25Z | |
| dc.date.available | 2018-04-13T07:12:25Z | |
| dc.date.issued | 2017 | |
| dc.description.abstract | In his essay “Sing of the new invasion”, the Slovenian philosopher Slavoj Žižek suggests that “the way to test a great work of art is to ask how it survives decontextualization, transposition into a new context.” He claims that “one good definition of a classic is that it functions like the eyes of God in an Orthodox icon: no matter where you stand in the room, they seem to be looking at you. | en_ZA |
| dc.description.department | English | en_ZA |
| dc.description.librarian | am2018 | en_ZA |
| dc.description.uri | http://www.journals.co.za/content/journal/iseasosa | en_ZA |
| dc.identifier.citation | Brown, M. 2017, 'Coriolanus/Post-Coriolanus/Counter-Coriolanus/DCoriolanus?', Shakespeare in Southern Africa, vol. 30, pp. 119-121. | en_ZA |
| dc.identifier.issn | 1011-582X | |
| dc.identifier.other | 10.4314/sisa.v30i1.14S | |
| dc.identifier.uri | http://hdl.handle.net/2263/64536 | |
| dc.language.iso | en | en_ZA |
| dc.publisher | Shakespeare Society of Southern Africa | en_ZA |
| dc.rights | Shakespeare Society of Southern Africa | en_ZA |
| dc.subject | Art | en_ZA |
| dc.subject | Classic | en_ZA |
| dc.subject | Decontextualization | en_ZA |
| dc.subject | Transposition | en_ZA |
| dc.subject | Shakespeare | en_ZA |
| dc.subject | Coriolanus | en_ZA |
| dc.title | Coriolanus/Post-Coriolanus/Counter-Coriolanus/DCoriolanus? | en_ZA |
| dc.type | Article | en_ZA |