Intuition / intellect - sex / sensibility

dc.contributor.authorStopford, Clare
dc.contributor.authorKrueger, Anton
dc.date.accessioned2008-06-02T06:29:53Z
dc.date.available2008-06-02T06:29:53Z
dc.date.issued2006
dc.description.abstractIn contrast to the vast array of books which deal with the craft of acting and stagemanagement, there seem to be far fewer books which attempt to describe what directors do. The most common contemporary approach seems to be to present a collection of interviews, such as In Contact with the gods? Directors talk theatre (edited by Maria M. Delgado and Paul Heritage, 1996) and On directing (edited by Gabriella Giannachi and Mary Luckhurst, 1999). A possible reason for the dearth of material on directing techniques could be the fact that different directors’ styles and approaches vary drastically. Exceptional directors seem to be characterised more by their personal idiosyncrasies than by their adherence to a specific methodology.en
dc.format.extent226956 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.citationStopford, C & Krueger, A 2006, 'Intuition / intellect - sex / sensibility', South African Theatre Journal, vol. 20, pp. 233-251. [htpp://www.sun.ac.za/drama]en
dc.identifier.issn1013-7548
dc.identifier.urihttp://hdl.handle.net/2263/5731
dc.language.isoenen
dc.publisherCentre for Theatre and Performance Studies, University of Stellenboschen
dc.rightsCentre for Theatre and Performance Studies, University of Stellenboschen
dc.subjectDirecting (Theater)en
dc.subjectPlay direction (Theater)
dc.subjectPlay production (Theater)
dc.subjectTheater -- Direction
dc.subject.lcshTheater -- Production and direction
dc.subject.lcshActing
dc.subject.lcshTheatrical producers and directors
dc.subject.lcshStage managers
dc.titleIntuition / intellect - sex / sensibilityen
dc.typeArticleen

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