Repetitions repeatedly repeated : mimetic desire-ressentiment- and mimetic crisis in Julian Rosefeld's Manifesto (2015)

dc.contributor.authorReyburn, Duncan
dc.date.accessioned2020-07-31T12:41:55Z
dc.date.available2020-07-31T12:41:55Z
dc.date.issued2019
dc.description.abstractThis paper offers an exploration of Julian Rosefeld’s film Manifesto (2015), which is a fascinating amalgamation and interpretation of modernist, avant gardist manifestos. The paper employs the film itself as a hermeneutical framework, especially is use of the rhetorical-hermeneutical device of repetition, and also makes use of René Girard’s mimetic theory. Through this double-hermeneutic, two aims are set out: the first being to offer a way to rethink the meaning of the art manifesto as that modernist genre par excellence and the second being a way to rethink trends in artistic and creative production in general.en_ZA
dc.description.departmentVisual Artsen_ZA
dc.description.librarianpm2020en_ZA
dc.description.urihttp://www.imageandtext.up.ac.za/imageandtexten_ZA
dc.identifier.citationReyburn, D. 2019, 'Repetitions repeatedly repeated: mimetic desire- ressentiment- and mimetic crisis in Julian Rosefeld's Manifesto (2015)', Image and Text, vol. 33, pp. 1-22.en_ZA
dc.identifier.issn1020-1497 (online)
dc.identifier.other10.17159/2617-3255/2018/n33a12
dc.identifier.urihttp://hdl.handle.net/2263/75527
dc.language.isoenen_ZA
dc.publisherUniversity of Pretoria, Department of Visual Artsen_ZA
dc.rights© 2019 University of Pretoria. Article is published under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence.en_ZA
dc.subjectArt manifestosen_ZA
dc.subjectRené Girarden_ZA
dc.subjectHermeneutic mimetic theoryen_ZA
dc.subjectCreative innovationen_ZA
dc.subjectRessentimenten_ZA
dc.titleRepetitions repeatedly repeated : mimetic desire-ressentiment- and mimetic crisis in Julian Rosefeld's Manifesto (2015)en_ZA
dc.typeArticleen_ZA

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