Klavierduette en -duo’s in Suid-Afrika : ’n Teoretiese analise en verwesenliking van idiomatiese aspekte van Stefans Grové se Maskers en Jeanne Zaidel-Rudolph se Takes two to tango

dc.contributor.advisorSchoeman, Ben
dc.contributor.emailleandradotsmith@gmail.comen_ZA
dc.contributor.postgraduateSmith, Leandra Dorothy
dc.date.accessioned2021-07-15T08:26:06Z
dc.date.available2021-07-15T08:26:06Z
dc.date.created2021-09
dc.date.issued2020
dc.descriptionThesis (DMus (Performing Arts))--University of Pretoria, 2020.en_ZA
dc.description.abstractThis study portrays the critical review of piano duet (four hands, one piano) and piano duo (two pianos) repertoire within the context of South African art music. The selection of Masks (1999) for piano duet by Stefans Grové (1922 – 2014) and Takes two to tango (2013) for two pianos by Jeanne Zaidel-Rudolph created the opportunity to explore the diverse stylistic dimensions of two prominent composers within the idiomatic context. The theoretical analysis of these works reveals the distinctive application of structure, motivic transformation, textural devices, harmonic constructs and rhythmic vitality. Subsequently a connection between compositional techniques and idiomatic features was discerned. Technical challenges within the piano duet and duo idioms are expounded along with suggestions to facilitate the realisation thereof. These compositions are representations of the stylistic attributes of Grové and Zaidel-Rudolph. Minimal documentation exists with regard to piano duet composition and performance in South Africa. The geneses of these mediums in relation to local tendencies is presented in this thesis. Assembling the catalogue of South African piano duets and duos divulged the compositional course of these mediums, revealing that modern piano duet composition operates mainly from the educational sphere. Conversely, piano duo composition has taken over as the preferred medium for the concert hall. The collaboration between modern pianists and composers can provide a possible solution for this void. Masks and Takes two to tango are show pieces deserving to be performed regularly.en_ZA
dc.description.availabilityUnrestricteden_ZA
dc.description.degreeDMus (Performing Arts)en_ZA
dc.description.departmentMusicen_ZA
dc.identifier.citation*en_ZA
dc.identifier.otherS2021en_ZA
dc.identifier.urihttp://hdl.handle.net/2263/80845
dc.language.isoAfrikaansen_ZA
dc.publisherUniversity of Pretoria
dc.rights© 2019 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_ZA
dc.subjectPiano Dueten_ZA
dc.subjectPiano Duo
dc.subjectRepertoire Review
dc.subjectSouth African Art Music
dc.subjectStefans Grové (1922 – 2014)
dc.subjectJeanne Zaidel-Rudolph (geb. 1948)
dc.subjectMaskers
dc.subjectTake two to tango
dc.subjectStylistic Dimensions
dc.subjectTheoretical Analysis
dc.subjectCompositional Techniques
dc.subjectIdiomatic Features
dc.subjectTechnical Challenges
dc.subjectDocumentation
dc.subjectKlavierduet
dc.subjectKlavierduo
dc.subjectIdomatiek
dc.subjectAnalise
dc.subjectUitvoeringsvoorstelle
dc.subjectKomposisietegnieke
dc.subject.otherMusic theses SDG-04
dc.subject.otherSDG-04: Quality education
dc.subject.otherMusic theses SDG-09
dc.subject.otherSDG-09: Industry, innovation and infrastructure
dc.subject.otherMusic theses SDG-10
dc.subject.otherSDG-10: Reduced inequalities
dc.titleKlavierduette en -duo’s in Suid-Afrika : ’n Teoretiese analise en verwesenliking van idiomatiese aspekte van Stefans Grové se Maskers en Jeanne Zaidel-Rudolph se Takes two to tangoen_ZA
dc.typeThesisen_ZA

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