My people and other animals : Jacques Fuller's picaresque sculpture
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Date
Authors
Van den Berg, Dirk Johannes
Journal Title
Journal ISSN
Volume Title
Publisher
Art Historical Work Group of South Africa
Abstract
The work of the Bloemfontein sculptor, Jacques Fuller, an interesting case of rural art at the margins of the mainstream artworld, has recently become known through a touring exhibition curated by Oliewenhuis Art Museum and the Sanlam Art Collection. This essay situates his sculptural work in the picaresque tradition of satirical art.
Die werk van die Bloemfonteinse beeldhouer, Jacques Fuller, 'n interessante geval van plattelandse kuns op die rand van die hoofstroom kunswereld, is onlangs bekendgestel in 'n reisende tentoonstelling georganiseer deur Oliewenhuis-kunsmuseum en die Sanlam-kunsversameling. Hierdie essay plaas sy beeldhouwerk binne die pikareske tradisie van satiriese kuns.
Die werk van die Bloemfonteinse beeldhouer, Jacques Fuller, 'n interessante geval van plattelandse kuns op die rand van die hoofstroom kunswereld, is onlangs bekendgestel in 'n reisende tentoonstelling georganiseer deur Oliewenhuis-kunsmuseum en die Sanlam-kunsversameling. Hierdie essay plaas sy beeldhouwerk binne die pikareske tradisie van satiriese kuns.
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The article is followed by a review by Pascal Dubourg Glatigny of the "Ubuntu" exhibition of South African art and cultures, held in 2002 at the National Museum for African and Pacific Art in Paris
The article is followed by a review by Pascal Dubourg Glatigny of the "Ubuntu" exhibition of South African art and cultures, held in 2002 at the National Museum for African and Pacific Art in Paris
Keywords
Art, Fuller, Jacques, 1960-, Sanlam Art Collection, Satirical art, South African sculptors, Sculpture
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Citation
Van den Berg, DJ 2002, 'My people and other animals: Jacques Fuller's picaresque sculpture.' South African Journal of Art History, vol. 17, pp. 181-188.