Teaching Western classical piano music effectively in West Malaysia

dc.contributor.advisorPanebianco-Warrens, Clorinda Rosanna
dc.contributor.coadvisorVan Wyk, W.
dc.contributor.emailkathrynlye@gmail.comen_US
dc.contributor.postgraduateAng, Kathryn
dc.date.accessioned2014-08-18T07:05:02Z
dc.date.available2014-08-18T07:05:02Z
dc.date.created2014-04-16
dc.date.issued2013en_US
dc.descriptionDissertation (MMus)--University of Pretoria, 2013.en_US
dc.description.abstractThe existing curriculum for piano lessons in West Malaysia is over-reliant on the syllabi of foreign examination boards resulting in a fragmentary curriculum which denies the student access to a wider range of musical experiences. The aim of the study was to identify and suggest solutions to problems by analysing the teaching approaches of piano teachers and to determine if there are elements which are lacking in the lessons. It also aimed to provide solutions by establishing a theoretical framework for effective piano teaching with optimal lesson plans. This study made use of mixed methods research design. A cross-sectional survey was conducted and data collection was by self-structured questionnaires. In addition, interviews were conducted for the qualitative component of this study. Twenty-five piano teachers with between one to twenty years of teaching experience were randomly selected to participate in the survey. A further fifteen interviews were conducted with teachers who were selected from the participants of the survey by purposive sampling. Interpretative phenomenology analysis was used to analyse the interviews in an effort to gain a better understanding of the nature and quality of the piano teaching in West Malaysia. The study finds that having piano examinations with regularity, usually on a yearly basis, has largely dominated the curriculum with examination requirements and has resulted in several elements being missing or absent in a typical lesson. Hence the situation is clearly not ideal as lessons are too examination oriented. Furthermore, students are generally not exposed to sufficient opportunities to display their skills and musical achievements. These findings suggest that Western classical piano music can be taught more effectively in West Malaysia if teachers re-think their approach to teaching in terms of planning for an optimal lesson. This would involve having both long-term and short–term goals in which a variety of strategies and important elements are incorporated seamlessly using the “simultaneous learning” approach advocated by Harris, Crozier and Ley.en_US
dc.description.availabilityunrestricteden_US
dc.description.departmentMusicen_US
dc.description.librariangm2014en_US
dc.identifier.citationAng, K 2013, Teaching Western classical piano music effectively in West Malaysia, MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/41371>en_US
dc.identifier.otherE14/4//350/gmen_US
dc.identifier.urihttp://hdl.handle.net/2263/41371
dc.language.isoenen_US
dc.publisherUniversity of Pretoriaen_ZA
dc.rights© 2014 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.en_US
dc.subjectEffective music teaching,en_US
dc.subjectSimultaneous learningen_US
dc.subjectCurriculumen_US
dc.subjectForeign examination boardsen_US
dc.subjectMixed methods researchen_US
dc.subjectInterpretative phenomenology analysisen_US
dc.subjectWestern classical piano musicen_US
dc.subjectApproach to teachingen_US
dc.subjectPiano examinationsen_US
dc.subjectOptimal lessonen_US
dc.subjectUCTDen_US
dc.titleTeaching Western classical piano music effectively in West Malaysiaen_US
dc.typeDissertationen_US

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