Abstract composition

dc.contributor.author	Celliers-Barnard, Bettie
dc.date.accessioned	2016-07-06T12:30:23Z
dc.date.available	2016-07-06T12:30:23Z
dc.date.created	1959
dc.date.issued	2010
dc.description	After Bettie’s visit to Paris in 1956 she was greatly influenced by the non-figurative work of the avant-garde artists. In works such as this abstract composition we see Bettie’s striving for purity of form and colour, with emphasis on the schematic and cerebral. Here she finds expression in a world of autonomous forms and shapes.	en_ZA
dc.format.extent	600mm x 750mm	en_ZA
dc.format.medium	Oil on canvas	en_ZA
dc.identifier.uri	http://hdl.handle.net/2263/53834
dc.publisher	Department of UP Arts	en_ZA
dc.relation.ispartofseries	UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection	en_ZA
dc.rights	Copyright of the electronic version, University of Pretoria.	en_ZA
dc.subject	Non-figurative	en_ZA
dc.subject	Shapes	en_ZA
dc.subject	Abstract	en_ZA
dc.subject.lcsh	Painting -- South Africa
dc.subject.lcsh	Arts, Modern -- 20th century
dc.title	Abstract composition	en_ZA
dc.title.alternative	Abstrakte komposisie	en_ZA
dc.type	Image	en_ZA

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