The patriarch

dc.contributor.author	Celliers-Barnard, Bettie
dc.date.accessioned	2016-07-07T06:55:23Z
dc.date.available	2016-07-07T06:55:23Z
dc.date.created	1972
dc.date.issued	2010
dc.description	After Bettie Cilliers-Barnard’s return from Paris to South Africa in 1972, there was a definite return to figurative subjects in her art. A search for a new identity and a contemplation of man’s place in society became important themes in her work. This totem-like figure of a female “patriarch”, surrounded by other vertical figure-like shapes in rectangles, is typical of this new direction in her oeuvre. The sun-dusk in her breast and the bird-like shape on her head are symbols of wholeness and freedom.	en_ZA
dc.format.extent	1250 mm x 900 mm	en_ZA
dc.format.medium	Oil on canvas	en_ZA
dc.identifier.uri	http://hdl.handle.net/2263/54006
dc.publisher	Department of UP Arts	en_ZA
dc.relation.ispartofseries	UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection	en_ZA
dc.rights	Copyright of the electronic version, University of Pretoria.	en_ZA
dc.subject	Arts	en_ZA
dc.subject	Totem	en_ZA
dc.subject	Patriarch	en_ZA
dc.subject	Modern	en_ZA
dc.subject	Egyptian	en_ZA
dc.subject.lcsh	Painting -- South Africa
dc.subject.lcsh	Arts, Modern -- 20th century
dc.title	The patriarch	en_ZA
dc.title.alternative	Die Patriag	en_ZA
dc.type	Image	en_ZA

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