The cultural context of contemporary graphic design

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Authors

Economou, Inge

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Art Historical Work Group of South Africa

Abstract

Graphic design in the contemporary era (postmodernity) seems to be in a state of diversity and pluralism as designers produce work without any unifying stylistic or theoretical principles. Although designers frequently draw inspiration from stylistic and attitudinal trends at a street culture level in order to produce designs that have market appeal (to economic ends), seldom do they take the time to analyse contemporary culture at a theoretical level. As a result contemporary graphic designs often emerge as empty consumerist styling that celebrates the "postmodern moment" in contemporary culture, or alternatively as a rational, simplified, objectively planned approach that resists the status quo in favour of earlier modernist approaches. This essay, as a theoretical investigation of contemporary culture, attempts to contextualize graphic design within this culture, by analysing its main features and characteristics as highlighted by leading cultural theorists. This is done in order to encourage graphic designers to become more self-aware and to reflect critically on the work that they produce.

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Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)

Keywords

Graphic design, Street culture, Postmodern movement, Contemporary graphic design, Contemporary culture, Graphic design in the postmodern condition

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Citation

Economou, I 2003, 'The cultural context of contemporary graphic design.' South African Journal of Art History, vol. 18, pp. 15-27.