Representasie van Afrikaneridentiteit in Deon Opperman se Kaburu (2008)

dc.contributor.authorDe Jager, Shaun
dc.contributor.authorVan Niekerk, Jacomien (Jacomina)
dc.date.accessioned2011-04-08T06:14:08Z
dc.date.available2011-04-08T06:14:08Z
dc.date.issued2010
dc.description.abstractDeon Opperman’s latest published play, Kaburu (2008), can be said to have the identity of the Afrikaner, past and present, as a central theme. In this article, the topic of identity in the play is approached by making use of Stuart Hall’s (1996) notion of identities being constructed within discourse. Consequently, a number of varying discourses about Afrikaner identity functioning in Kaburu are identified and explored. Significantly, these discourses include and interact with the current phenomenon of the Afrikaner diaspora and the complicated relationship Afrikaners living abroad have with their heritage, language and South Africa itself.en
dc.identifier.citationDe Jager, S & Van Niekerk, J 2010, 'Die representasie van Afrikaneridentiteit in Deon Opperman se Kaburu (2008)', Stilet: Tydskrif Vir Die Afrikaanse Letterkundevereniging, vol. 22, no. 1, pp. 15-29. [http://www.journals.co.za/ej/ejour_stilet.html]af
dc.identifier.issn1013-4573
dc.identifier.urihttp://hdl.handle.net/2263/16232
dc.language.isoAfrikaansaf
dc.publisherAfrikaanse Letterkundeverenigingen_US
dc.rightsAfrikaanse Letterkundeverenigingen_US
dc.subjectAfrikaneridentiteitaf
dc.subject.lcshOpperman, Deon. Kaburuen
dc.subject.lcshAfrikaners -- Ethnic identityen
dc.subject.lcshRepresentation (Philosophy)en
dc.titleRepresentasie van Afrikaneridentiteit in Deon Opperman se Kaburu (2008)af
dc.typeArticleaf

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