South African black artists : in the permanent collection of the Pretoria Art Museum (1964 –1994)

dc.contributor.advisorO'Connell, Siona
dc.contributor.emailmmutleak@outlook.comen_ZA
dc.contributor.postgraduateKgokong, Arthur
dc.date.accessioned2021-02-15T10:08:04Z
dc.date.available2021-02-15T10:08:04Z
dc.date.created2021
dc.date.issued2020
dc.descriptionDissertation (MSocSci)--University of Pretoria, 2020.en_ZA
dc.description.abstractThe Pretoria Art Museum opened its doors to the public on May 20, 1964. At that time the Johannesburg Art Gallery had already been established in 1910 and the South African National Gallery in Cape Town in 1895. The realization of the Pretoria Art Museum was an accomplishment of the City’s clerk’s push for the city to have a museum of its own that would enable it to showcase works that the city owned which until then had been confined to its administrative offices and the City Hall. This nucleus collection which had been inaccessible to the general public, consisted of South African Old Masters and 17 Century Dutch art. On 15 April 1964, about a month before the museum opened officially to the public, the Selection Committee of the Board of Trustees of the Art Museum instituted by the City Council of Pretoria met to deliberate on how the collection of the museum was to be built in order to expand this nucleus collection further.The result was a series of eight resolutions that favoured the acquisition of South African Old Masters and The Hague School (19thcentury Netherlandish art). In the minutes of that meeting no mention was made of the acquisition of 20thcentury South African black artists. By 1994 about 2 404 units of artworks by white artists had been acquired in contrast to about 86 units of artworks by black artists. The eight resolutions tabulated by the board, can be taken as an informal policy thatthe museum adopted during the thirty-year period of its existence from 1964 to 1994 to acquire artworks. No formal acquisition policy existed as a part of the museum’s acquisition strategy during that three decade period. Fortunately, as the collection grew, there were deviations in the ‘acquisition strategy’ because works by black artists, though collected at a far lesser frequency than those by white artists, found their place in the collection. This research paper is a homage to the contributions of 20thcentury South African black artists’ contributions to the history of South African art.en_ZA
dc.description.availabilityUnrestricteden_ZA
dc.description.degreeMSocScien_ZA
dc.description.departmentHistorical and Heritage Studiesen_ZA
dc.identifier.citationKgokong, A 2020, South African black artists : in the permanent collection of the Pretoria Art Museum (1964 –1994), MSocSci Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/78619>en_ZA
dc.identifier.otherA2021en_ZA
dc.identifier.urihttp://hdl.handle.net/2263/78619
dc.language.isoenen_ZA
dc.publisherUniversity of Pretoria
dc.rights© 2019 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_ZA
dc.subjectArchivesen_ZA
dc.subjectMemory and Historyen_ZA
dc.subjectAcquisition Policyen_ZA
dc.subjectSouth African Art Historyen_ZA
dc.subjectExhibitionsen_ZA
dc.titleSouth African black artists : in the permanent collection of the Pretoria Art Museum (1964 –1994)en_ZA
dc.typeDissertationen_ZA

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
Kgokong_South_2020.pdf
Size:
29.46 MB
Format:
Adobe Portable Document Format
Description:
Dissertation

License bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
license.txt
Size:
1.75 KB
Format:
Item-specific license agreed upon to submission
Description: