Stand van die beeldende kuns in Suid-Afrika
dc.contributor.author | Roos, N.O. | |
dc.contributor.email | katrien.malan@up.ac.za | en_US |
dc.contributor.other | University of Pretoria. Dept. van Beeldende Kuns | |
dc.coverage.temporal | AD | |
dc.date.accessioned | 2011-05-11T12:32:49Z | |
dc.date.available | 2011-05-11T12:32:49Z | |
dc.date.issued | 1979-06-14 | |
dc.description.abstract | The development of art in South Africa barely spans 100 years. Many artists from Holland, England, Germany and France, together with their colleagues in South Africa, helped to develop it to the present level. Only during the 'fifties did local artists shake off the nineteenth-century traditions which persisted and brought the local art scene more in line with developments in Europe and the United States of America. From this time, South African art became less dependent and more mature. Fine art has a very definite social function. It satisfies a basic human need, and in the more practical sense design forms an important part of the socioeconomic structure of society as a whole. Art is an essential component of the communications system of a society. Art, viewed in this light, should be re-examined and seen as an indispensable component of any educational system because of its ennobling and formative influence on man. Further, as a communications medium, art should have a more highly rated position - as a vital element without which society in its present form could not continue to function. It is a fact that art is not accorded its rightful place in South Africa. An example of this is its neglected position in the school situation and the general lack of insight and interest shown by both the State and society. It is part and parcel of the task of a Department of Fine Arts to endeavour to surmount these shortcomings by definite action and leadership. For this reason it is essential that this department and others sharing a common interest (e.g. Art History and Cultural History), should come together to discuss in depth the future and position of the arts. A subject that is no longer discussed is a dead subject. | en_US |
dc.description.tableofcontents | p. 15-18 : Publikasies van die Universiteit van Pretoria (Nuwe Reeks) | af |
dc.description.uri | http://explore.up.ac.za/record=b1788313 | en_US |
dc.format.extent | 14 p. ; 21 cm. | en_US |
dc.format.medium | Text | en_US |
dc.identifier.isbn | 086979087 | |
dc.identifier.uri | http://hdl.handle.net/2263/16561 | |
dc.language.iso | Afrikaans | en_US |
dc.publisher | University of Pretoria | en_US |
dc.relation.ispartofseries | Publikasies van die Universiteit van Pretoria. Nuwe reeks ; nr. 157 | en_US |
dc.relation.ispartofseries | Publications of the University of Pretoria. New series ; no. 157 | en_US |
dc.relation.ispartofseries | Inaugural addresses (University of Pretoria) | en_US |
dc.relation.requires | Adobe Acrobat Reader | |
dc.rights | University of Pretoria | en_US |
dc.source | Original publication: Roos, N.O. Stand van beeldende kuns in Suid-Afrika (Pretoria : Universiteit van Pretoria, 1979), 18.p. | |
dc.subject.ddc | 709.68 | |
dc.subject.lcsh | Art -- South Africa | |
dc.title | Stand van die beeldende kuns in Suid-Afrika | en_US |
dc.type | Text | en_US |
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