Embodied knowledges : physical theatre and the physicality of theatre
| dc.contributor.author | Coetzee, Marie-Heleen | |
| dc.contributor.author | Munro, Marth | |
| dc.date.accessioned | 2011-03-09T06:34:10Z | |
| dc.date.available | 2011-03-09T06:34:10Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | While the general contours of virtuosity are the same across media, every sacred monster is unique; every technique organizes its own monstrosity, and every community engages its virtuoso monsters on its own terms (Hamera 2007: 42). | en |
| dc.identifier.citation | Coetzee, M-H & Munro, M 2010, 'Embodied knowledges : physical theatre and the physicality of theatre', South African Theatre Journal, vol. 24, pp. 10-14. [ htpp://www.sun.ac.za/drama] | en |
| dc.identifier.issn | 1013-7548 | |
| dc.identifier.uri | http://hdl.handle.net/2263/16015 | |
| dc.language.iso | en | en_US |
| dc.publisher | Centre for Theatre and Performance Studies, University of Stellenbosch | en_US |
| dc.rights | Centre for Theatre and Performance Studies, University of Stellenbosch. | en_US |
| dc.subject | Physical theatre | en |
| dc.subject | Virtuosity | en |
| dc.subject.lcsh | Theater -- Philosophy | en |
| dc.title | Embodied knowledges : physical theatre and the physicality of theatre | en |
| dc.type | Article | en |