The national question in Antjie Krog's transformation trilogy

dc.contributorjacomien.vanniekerk@up.ac.zaen_ZA
dc.contributor.authorVan Niekerk, Jacomien (Jacomina)
dc.date.accessioned2017-05-30T07:41:29Z
dc.date.issued2017-03-01
dc.description.abstractThis article explores the claim that the South African writer Antjie Krog is in essence asking the National Question in what I have termed her “transformation trilogy”: Country of My Skull (1998); A Change of Tongue (2003); and Begging to Be Black (2009). In writing about issues like “race”, identity and belonging in these texts, Krog is asking, “[t]o whom does the South African nation belong?” – a question that was central to debates about the National Question by liberation movements during apartheid. Although the “new” South Africa arguably is very different from the new “nation” that had been imagined, the National Question remains of importance. A postcolonial reading of the transformation trilogy encourages a focus on the National Question and the factors that complicate it. Existing studies about the theme of nationhood in Krog’s work do not draw connections with older discourses on nation and nationalism in South Africa.en_ZA
dc.description.abstractHierdie artikel ondersoek die stelling dat Antjie Krog in wese besig is met die Nasionale Vraagstuk in haar “transformasie-trilogie”: Country of My Skull (1998); A Change of Tongue (2003); en Begging to Be Black (2009). In haar verkenning van kwessies soos “ras”, identiteit en om te behoort in dié tekste, is Krog besig om te vra, “aan wie behoort die Suid-Afrikaanse nasie?” – ’n vraag wat sentraal gestaan het tot beredenering oor die Nasionale Vraagstuk deur bevrydingsorganisasies tydens apartheid. Hoewel die situasie in die “nuwe” Suid-Afrika stellig baie anders daar uitsien as hoe die nuwe “nasie” verbeel is, is die Nasionale Vraagstuk van blywende belang. ’n Postkoloniale benadering tot die transformasie-trilogie moedig ’n ondersoek na die Nasionale Vraagstuk aan, asook die faktore wat dit kompliseer. Bestaande studies oor die tema van nasieskap in die tekste van die trilogie slaan nie ’n verband tussen Krog se werk en ouer diskoerse oor nasie en nasionalisme in Suid-Afrika nie.en_ZA
dc.description.embargo2018-09-01
dc.description.urihttp://www.tandfonline.com/loi/rjls20en_ZA
dc.identifier.citationJacomien van Niekerk (2017) The National Question in Antjie Krog’s “Transformation Trilogy”*, Journal of Literary Studies, 33:1, 42-58.en_ZA
dc.identifier.issn0256-4718 (print)
dc.identifier.issn1753-5387 (online)
dc.identifier.other10.1080/02564718.2017.1290378
dc.identifier.urihttp://hdl.handle.net/2263/60706
dc.language.isoenen_ZA
dc.publisherRoutledgeen_ZA
dc.rights© JLS/TLW. This is an electronic version of an article published in Journal of Literary Studies, vol. 33, no. 1, pp. 42-58, 2017. Journal of Literary Studies is available online at : http://www.tandfonline.com/loi/rjls20.en_ZA
dc.subjectAntjie Krogen_ZA
dc.subjectCountry of My Skullen_ZA
dc.subjectA Change of Tongueen_ZA
dc.subjectBegging to Be Blacken_ZA
dc.subjectNationalismen_ZA
dc.subjectTransformationen_ZA
dc.subjectIdentityen_ZA
dc.subjectPostcolonialityen_ZA
dc.subjectRaceen_ZA
dc.subjectNational questionen_ZA
dc.subject.otherHumanities articles SDG-10
dc.subject.otherSDG-10: Reduced inequalities
dc.titleThe national question in Antjie Krog's transformation trilogyen_ZA
dc.typePostprint Articleen_ZA

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