Theatre-for-development in Zimbabwe : the Ziya Theatre Company production of Sunrise

dc.contributor.advisorMedalie, Daviden
dc.contributor.emailsamrukuni@yahoo.comen
dc.contributor.postgraduateRukuni, Samuelen
dc.date.accessioned2013-09-07T11:34:17Z
dc.date.available2013-08-27en
dc.date.available2013-09-07T11:34:17Z
dc.date.created2013-04-03en
dc.date.issued2012en
dc.date.submitted2013-08-22en
dc.descriptionDissertation (MA)--University of Pretoria, 2012.en
dc.description.abstractThis dissertation for the M.A. in Creative Writing consists of a full-length play, titled Last Laugh and a mini-dissertation. The mini-dissertation explores the phenomenon of Theatre-for-Development, which differs significantly from the performance tradition of classical African drama. The study identifies ways in which Theatre-for-Development practitioners, animators or catalysts, (interchangeable names given to agents who teach target community members theatre-for-development skills) abandon the conventions of classical African drama performances, in terms of the form of plays, stage management and costumes. They find different and less formal ways to tackle the social problems which the target communities experience. The origins of Classical African drama are traced from the western tradition, from which it borrows heavily, and there is some discussion of the socio-historical conditions that prevailed during the time when African playwrights performed those plays, and the rise of nationalism in colonised African states, which in part influenced their production. This study then examines how the socio-political dynamics in the Zimbabwean post-farm-invasions era gave rise to Theatre-for-Development projects in the newly resettled farming communities that faced social development challenges. Despite the land gains peasants enjoyed, the resettled communities found themselves in places far away from schools, hospitals, shops and social service centres. That was the source of their problems. It will be shown how government sponsored Theatre-for-Development groups to mobilise the people, through theatre, to initiate home-groomed solutions to their social and economic problems during a time when the government was bankrupt and the country’s economy was shattered by the destruction of the agricultural and mining sectors, triggered by the invasions of the white commercial farms. The Ziya Community Theatre’s production of Sunrise is analysed in the light of these considerations.en
dc.description.availabilityunrestricteden
dc.description.departmentEnglishen
dc.identifier.citationRukuni, S 2012, Last laugh - Theatre-for-development in Zimbabwe : the Ziya Theatre Company production of Sunrise , MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/27465 >en
dc.identifier.otherF13/4/749/gmen
dc.identifier.upetdurlhttp://upetd.up.ac.za/thesis/available/etd-08222013-102416/en
dc.identifier.urihttp://hdl.handle.net/2263/27465
dc.language.isoen
dc.publisherUniversity of Pretoriaen_ZA
dc.rights© 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoriaen
dc.subjectCommunity-based-theatreen
dc.subjectCatalystsen
dc.subjectTheatre practitionersen
dc.subjectAgitpropen
dc.subjectParticipatory theatreen
dc.subjectTheatre-for-conscientisationen
dc.subjectTheatre-for-developmenten
dc.subjectClassical african theatreen
dc.subjectNeo-colonialismen
dc.subjectPost-independenceen
dc.subjectPost-farm-invasions eraen
dc.subjectAnimatorsen
dc.subjectSocio-historical contexten
dc.subjectUCTDen_US
dc.titleTheatre-for-development in Zimbabwe : the Ziya Theatre Company production of Sunriseen
dc.typeDissertationen

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