The paradigm of visibility : algorithms of protest
dc.contributor.advisor | Du Preez, Amanda | |
dc.contributor.email | michaelarabe16@gmail.com | en_US |
dc.contributor.postgraduate | Rabe, Michaela | |
dc.date.accessioned | 2025-02-15T11:33:13Z | |
dc.date.available | 2025-02-15T11:33:13Z | |
dc.date.created | 2025-04 | |
dc.date.issued | 2024-09-29 | |
dc.description | Dissertation (MA (Digital Culture and Media))--University of Pretoria, 2024. | en_US |
dc.description.abstract | This dissertation investigates the intersection of visibility, algorithms, and digital activism in contemporary social movements. In an increasingly digitised and algorithm-driven world, the dynamics of visibility – whether manifesting as visibility, invisibility, or hypervisibility – profoundly shape participatory culture, societal narratives, and power structures. By drawing on theoretical frameworks like Panopticism and algorithmic control, this study examines how digital platforms influence which voices and causes gain visibility, and how social media algorithms marginalise or render others invisible. Through discourse analysis and comparative case studies, the research explores both the opportunities and challenges posed by digital activism, especially for marginalised groups. Movements such as #BlackLivesMatter and #AmINext are analysed to showcase how social media can amplify activism but also risk undermining it. The thesis critiques the biases embedded in algorithms, highlighting their function as gatekeepers of digital visibility, shaping public discourse by selectively promoting certain narratives over others. Ultimately, this research offers a nuanced understanding of the complex relationship between visibility, algorithmic power, and digital activism, contributing to the ongoing discourse in media studies, social justice, and the ethics surrounding algorithmic media. | en_US |
dc.description.availability | Unrestricted | en_US |
dc.description.degree | Master of Arts (Digital Culture and Media) | en_US |
dc.description.department | Visual Arts | en_US |
dc.description.faculty | Faculty of Humanities | en_US |
dc.description.sdg | SDG-16: Peace, justice and strong institutions | en_US |
dc.identifier.citation | * | en_US |
dc.identifier.doi | N/A | en_US |
dc.identifier.other | A2025 | en_US |
dc.identifier.uri | http://hdl.handle.net/2263/100954 | |
dc.language.iso | en | en_US |
dc.publisher | University of Pretoria | |
dc.rights | © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. | |
dc.subject | UCTD | en_US |
dc.subject | Sustainable Development Goals (SDGs) | en_US |
dc.subject | Algorithmic gatekeeping | en_US |
dc.subject | Digital panopticism | en_US |
dc.subject | Digital visibility | en_US |
dc.subject | Digital invisibility | en_US |
dc.subject | Digital hypervisibility | en_US |
dc.subject | Social media activism | en_US |
dc.subject | Participatory culture | en_US |
dc.subject | Marginalisation | en_US |
dc.title | The paradigm of visibility : algorithms of protest | en_US |
dc.type | Dissertation | en_US |