Authorship and auteurism in Another Country

dc.contributor.authorViljoen, Stella
dc.contributor.emailsviljoen@postino.up.ac.zaen_US
dc.date.accessioned2011-11-10T08:13:08Z
dc.date.available2011-11-10T08:13:08Z
dc.date.issued2004
dc.description.abstractIn 1873 Benjamin Disraeli could bemoan, "[a]n author who speaks about his own books is almost as bad as a mother who talks about her own children." Today, however, authorship is a consumable that demands endless promoting in order to be profitable. The ironic predicament of the author within contemporary (technocratic) culture is his frequent invisibility. Another Country is an apposite vehicle for raising the quandary of contemporary authorship since it is first, a music video and thus a promotional tool itself and second, an authorial collaboration between musical artists Mango Groove and "fine artist" William Kentridge.en_US
dc.description.urihttp://www.letterkunde.up.ac.za/en_US
dc.identifier.citationViljoen, S 2004, 'Authorship and auteurism in Another Country', Tydskrif vir Letterkunde, vol. 41, no. 2, pp. 47-54.en_US
dc.identifier.issn0041-476X
dc.identifier.urihttp://hdl.handle.net/2263/17553
dc.language.isoenen_US
dc.publisherTydskrif vir Letterkunde Assosiasieen_US
dc.rightsTydskrif vir Letterkunde Assosiasieen_US
dc.subjectWilliam Kentridgeen_US
dc.subjectAnother country (music video)en_US
dc.subjectMango Grooveen_US
dc.subject.lcshKentridge, William, 1955-en
dc.subject.lcshMusic videosen
dc.subject.lcshMango Grooveen
dc.subject.lcshAuthorshipen
dc.subject.lcshPopular cultureen
dc.titleAuthorship and auteurism in Another Countryen_US
dc.typeArticleen_US

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